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More than simply putting flowers in a container, ikebana is a disciplined art form in which nature and humanity are brought together. Contrary to the idea of a particoloured or multicoloured arrangement of blossoms, ikebana often emphasises other areas of the plant, such as its stems and leaves, and puts emphasis on shape, line, and form.
The legend states that a samurai, bored on a hot summer day, threw plant material into the small opening of a tall, deep vase on the opposite corner of the room. Thus this style was named Nageire. [9] This Ikebana form utilizes fresh and spontaneous designs that adhere only loosely to the classical principles of triangular structure and color ...
Nageirebana (抛入花), later also known as simply nageire (抛入 "thrown in"), is a style of ikebana. ... have the main stem hanging lower than the rim of the vase ...
The origins go back to Buddhist offerings of flowers, which are placed upright in vases. This tatehana ( 立て花 ) style was established in the Muromachi period (1333–1568). The term came to be a popular synonym for ikebana in the 15th century, when rikka became a distinctive element of interior decoration in the reception rooms at the ...
Seika incorporates many of the structural rules and classical feeling of the ancient rikka of the Ikenobō school. The concept of shusshō (出生 inner beauty) of a plant is key in the arrangement and is expressed as the living forms of plants rooted in the soil and growing upward towards the sun.
Toward the end of the Muromachi period the earlier simple way of setting flowers in a vase developed into tatehana (tateru, standing; hana, flowers), a more complex style of ikebana. During this period the oldest extant manuscript of ikebana ( Kao irai no Kadensho , 1486) and the famous manuscript about ikebana by Ikenobō Senno (Senno Kuden ...
Ohara Unshin (小原雲心) (1861–1916) started his own Ikebana school in 1895 when Japan opened up its economy to the West and began to import European flowers. The official founding date was in 1912. [1] For the purpose of this art form, he developed shallow, circular, ceramic vases, which became known as the moribana style. [2]
These all developed from ikebana, which had its origin in early Buddhist flower offerings (kuge). [4] Chabana, however, refers specifically to the flower display in the room or space for chadō , [ 5 ] and though it fundamentally is a form of ikebana, it comprises a genre unto its own.