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Kokiriko (筑子、 こきりこ) – a pair of sticks which are beaten together slowly and rhythmically; Shakubyoshi (also called shaku) – clapper made from a pair of flat wooden sticks; Mokugyo (木魚, also called 'wooden fish') – woodblock carved in the shape of a fish, struck with a wooden stick; often used in Buddhist chanting
The xylophone-like ranat was used in Hindu regions (kashta tharang). In Indonesia, few regions have their own type of xylophones. In North Sumatra, The Toba Batak people use wooden xylophones known as the Garantung (spelled: "garattung"). Java and Bali use xylophones (called gambang, Rindik and Tingklik) in gamelan ensembles.
Friction idiophones: The Noni kèbweè ke coŋ ɛ́, an open cylindrical drum with a stick attached to the inside of the drum, is played as part of the coŋ secret society dance. The stick is rubbed against the skin to produce a squeaking sound. Called ŋgwon in a Bamun secret society. Very rare in Africa, although also reported from the DR Congo.
This list contains musical instruments of symbolic or cultural importance within a nation, state, ethnicity, tribe or other group of people.. In some cases, national instruments remain in wide use within the nation (such as the Puerto Rican cuatro), but in others, their importance is primarily symbolic (such as the Welsh triple harp).
An assortment of musical instruments in an Istanbul music store. This is a list of musical instruments , including percussion, wind, stringed, and electronic instruments. Percussion instruments (idiophones, membranophones, struck chordophones, blown percussion instruments)
The balafon (pronounced / ˈ b æ l ə f ɒ n /, or, by analogy with xylophone etc., / ˈ b æ l ə f oʊ n /) is a gourd-resonated xylophone, a type of struck idiophone. [1] It is closely associated with the neighbouring Mandé, Bwaba Bobo, Senoufo and Gur peoples of West Africa, [1] [2] particularly the Guinean branch of the Mandinka ethnic group, [3] but is now found across West Africa from ...
Xylorimba, range C3-C8. The xylorimba (sometimes referred to as xylo-marimba or marimba-xylophone) is a pitched percussion instrument similar to an extended-range xylophone with a range identical to some 5-octave celestas or 5-octave marimbas, though typically an octave higher than the latter.
The Japanese government deliberately banned Ainu language, music, and dance (including the bear ceremony) in 1799 in an attempt to homogenize the Ainu with the larger Japanese population. In addition to this, through pressure and in governmental institutions such as schools, [ 13 ] "on every possible occasion the Bakufu persuaded the natives to ...