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Many contemporary Chinese women artists have employed the use of female bodies as the subject of their artworks. From the ancient and imperial period of China until early the 19th century, women's body images in Chinese art were predominantly portrayed through male artists' lenses. As a result, female bodies were often misrepresented.
Chinese dragons are crucial elements on Chinese imperial clothing [12] and appeared on the imperial court clothing at the end of the 7th century and became the symbol of the Chinese emperors in the Song dynasty. [1] Chinese dragons continued to be used in the Qing dynasty in the imperial and court clothing.
Nine Dragons (九龍圖卷; Jiǔlóngtú juǎn) is a handscroll painting by Chinese artist Chen Rong. [1] Painted in 1244, it depicts the apparitions of dragons soaring amidst clouds, mists, whirlpools, rocky mountains and fire, the painting refers to the dynamic forces of nature in Daoism and the liquid, water-like essence of the Tao. [2]
Ueki, Masatoshi (2003). "The Story of the Dragon King´s Daughter". In Robin Wang (ed.). Images of women in Chinese thought and culture, writings from the pre-Qin period through the Song dynasty. Indianapolis: Hackett. ISBN 0872206521. The Lotus Sutra and Its Opening and Closing Chapters. Translated by Watson, Burton. Tokyo: Soka Gakkai. 2009.
Starting in the mid-twentieth century, artists begin to combine traditional Chinese painting techniques with Western art styles, leading to the style of new contemporary Chinese art. One of the representative artists is Wei Dong who drew inspirations from eastern and western sources to express national pride and arrive at personal actualization ...
In Chinese mythology, Longmu (simplified Chinese: 龙母; traditional Chinese: 龍母; lit. 'Mother of Dragons'), transliterated as Lung Mo in Cantonese, was a Chinese woman who was deified as a goddess after raising five infant dragons. Longmu and her dragons developed a strong bond for each other and have thus become an example of filial ...
Traditional Chinese visual design elements: their applicability in contemporary Chinese design (Master of Science in Design thesis). Arizona State University. Welch, Patricia Bjaaland (2012). Chinese art : a guide to motifs and visual imagery. Boston, US: Tuttle Publishing. ISBN 978-1-4629-0689-5. OCLC 893707208. Williams, Charles (2006).
[54] [76]: 384–417 Earliest images of nomadic Xianbei-style dress in China tend to be depicted as a knee-length tunic with narrow sleeves, with a front opening, which can typically be collarless, round-collared, and sometimes be V-neck collared; men and women tend to wear that knee-length tunic over trousers for men and long, ground-length ...