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Backrooms, sometimes referred to as Kane Pixels' Backrooms to distinguish it from the urban legend as a whole, is a semi-anthological web series created by American YouTuber and filmmaker Kane Parsons. It is loosely based on the Backrooms urban legend.
The Backrooms have been adapted into numerous video games, including on the platforms Steam and Roblox. [ 18 ] [ 22 ] [ 38 ] An indie game was released by Pie on a Plate Productions two months after the original creepypasta, [ 39 ] and was positively reviewed for its atmosphere but received criticism for its short length.
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By November 19, 2015, the music video had amassed over 41 million views on YouTube. [57] On August 6, 2010, West named the music video as his favorite of his career. [58] On November 19, 2015, I Can't Even Productions shared a remake of the video using footage from the 2013 video game Grand Theft Auto V, edited with Premiere and Rockstar Video ...
The song debuted on the Billboard Hot 100 chart on 6 June 2015, at number 68. [6] [7] The song debuted on the UK Singles Chart on 24 May 2015, at number 62, eventually reaching number 13. The song debuted on the ARIA Charts on 18 May 2015, at number 15 and reached number 2 as of 8 June 2015. It reached number one in Indonesia.
"Flash Light" (also called "Flashlight") is the final song on Parliament’s 1977 album Funkentelechy Vs. the Placebo Syndrome. The song finishes the album’s story of the group’s quest to defeat the evil Sir Nose d'Voidoffunk , coercing him to dance.
"Flashlight" is a song by English record producer DJ Fresh featuring vocals by English singer Ellie Goulding. It was released as a single on 28 September 2014 in the United Kingdom. [ 1 ] The song originally appeared on Goulding's Halcyon Days (2013), the reissue of her second studio album, Halcyon (2012).
"6 Underground" is a song by the English band Sneaker Pimps from their debut studio album, Becoming X (1996). First released as a single in the United Kingdom in September 1996 by Clean-up Records, the song reached number 15 on the UK Singles Chart and had moderate radio airplay in the United States, where it was shipped to modern rock and dance stations in February 1997.