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Film semiotics is the study of sign process , or any form of activity, conduct, or any process that involves signs, including the production of meaning, as these signs pertain to moving pictures. Film semiotics is used for the interpretation of many art forms, often including abstract art .
Christian Metz (French:; December 12, 1931 – September 7, 1993) was a French film theorist, best known for pioneering film semiotics, the application of theories of signification to the cinema. During the 1970s, his work had a major impact on film theory in France, Britain, Latin America, and the United States. [ 1 ]
On Meaning: Selected Writings in Semiotic Theory. Trans. Paul J. Perron and Frank H, Collins. Theory and History of Literature, 38. Minneapolis: U of Minnesota P, 1987. 106–120. Herbert, Louis [permanent dead link ] (2006) Tools for Text and Image Analysis: An Introduction to Applied Semiotics, online eboook, published by Texto !
Of particular use in semiotic study, a syntagm is a chain which leads, through syntagmatic analysis, to an understanding of how a sequence of events forms a narrative. Alternatively, syntagmatic analysis can describe the spatial relationship of a visual text such as posters, photographs or a particular setting of a filmed scene.
Film theory is a set of scholarly approaches within the academic discipline of film or cinema studies that began in the 1920s by questioning the formal essential attributes of motion pictures; [1] and that now provides conceptual frameworks for understanding film's relationship to reality, the other arts, individual viewers, and society at large. [2]
Most signs operate on several levels—iconic as well as symbolic and/or indexical. This suggests that visual semiotic analysis may be addressing a hierarchy of meaning in addition to categories and components of meaning. As Umberto Eco explains, "what is commonly called a 'message' is in fact a text whose content is a multilevel discourse". [2]
Fashion semiotics; Film semiotics: the study of the various codes and signs of film and how they are understood. Key figures include Christian Metz. Finite semiotics: an approach to the semiotics of technology developed by Cameron Shackell. It is used to both trace the effects of technology on human thought and to develop computational methods ...
The kineikonic mode is a term for the moving image as a multimodal form. It indicates an approach to the analysis of film, video, television and any instance of moving image media that examines how systems of signification such as image, speech, dramatic action, music and other communicative processes work together to create meaning within the spatial and temporal frames of filming and editing.