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Sumerian poems demonstrate basic elements of poetry, including lines, imagery, and metaphor. Humans, gods, talking animals, and inanimate objects were all incorporated as characters. Suspense and humor were both incorporated into Sumerian stories. These stories were primarily shared orally, though they were also recorded by scribes.
Like other Sumerian disputation poems, it features two typically inarticulate things (in this case, two metals) debating over which one is superior. Silver and Copper , so far as can be indicated from the manuscripts, was the least popular of the known disputation poems: only nine manuscripts are known, compared to 60–70 of Hoe and Plough and ...
The metric system of Old English poetry was different from that of modern English, and related more to the verse forms of most of the older Germanic languages such as Old Norse. It used alliterative verse , a metrical pattern involving varied numbers of syllables but a fixed number (usually four) of strong stresses in each line.
The tablet contains a balbale (a kind of Sumerian poem) which is known by the titles "Bridegroom, Spend the Night in Our House Till Dawn" or "A Love Song of Shu-Suen (Shu-Suen B)". Composed of 29 lines, [ 5 ] this poem is a monologue directed to king Shu-Sin (ruled 1972–1964 BC, short chronology , or 2037–2029 BC, long chronology [ 4 ] ).
The Hoe and the Plough, along with other Sumerian disputation poems, helps demonstrate the continuity of the genre for when disputation poems begin appearing in the Akkadian language. For example, Hoe and Plough contains remarkable phraseological continuity with the Akkadian Palm and Vine , which is attested in manuscripts two millennia later ...
Gilgamesh and Aga, sometimes referred to as incipit The envoys of Aga (Sumerian: lu2 kin-gi4-a aka [1]), is an Old Babylonian poem written in Sumerian. The only one of the five poems of Gilgamesh that has no mythological aspects, it has been the subject of discussion since its publication in 1935 and later translation in 1949.
Balbale (from Sumerian bal "change") is a Sumerian form of poem, a kind of changing songs. Most of Tammuz and Enkimdu (an adamanduga) consists of changes like this.There’s a reference to balbale in the colophon of the poem, though it also may refer to the dialogue form of the writing.
Biggs, Robert D., "An Archaic Sumerian version of the Kesh Temple Hymn from Tell Abū (S)alābīkh". In Zeitschrift für Assyriologie 61. 193–207, 1971. Coetser, Wilhelmus Johannes, "The natural and cultural elements in the Sumerian Temple Hymns with special reference to the Kesh Temple Hymn", Dissertation, University of South Africa, 2022