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Martin Heidegger: Politics, Art, and Technology. New York: Holmes; Schapiro, Meyer. 1994. “The Still Life as a Personal Object - A Note on Heidegger and van Gogh”, ”Further Notes on Heidegger and van Gogh”, in: Theory and Philosophy of Art: Style, Artist, and Society, Selected papers 4, New York: George Braziller, 135-142; 143-151.
An art world, as with any segment of society, is defined in terms of mutually understood conventions (social norms, roles, and institutions) that are the basis for cooperative activity between members of a group who may not interact directly.
The archive includes Paik's early writings on art history, history and technology; correspondence with other artists and collaborators like Charlotte Moorman, John Cage, George Maciunas and Wolf Vostell; and a complete collection of videotapes used in his work, as well as production notes, television work, sketches, notebooks, models and plans ...
Dr. Klüver was born in Monaco, November 13, 1927, and grew up in Sweden.He graduated from the Royal Institute of Technology, Stockholm, in Electrical Engineering.In 1952, at age 25, working for a large electronics company in France, Klüver helped install a television antenna on top of the Eiffel Tower and devised an underwater TV camera for Jacques Cousteau's expeditions.
Morehshin Allahyari (Persian: مورهشین اللهیاری; born 1985) is an Iranian media artist, activist, and writer based in the Bay Area and an Assistant Professor of Digital Media Art at Stanford University [1].
He is the editor, with John Conomos, of Republics of Ideas: Republicanism Culture Visual Arts (2001); [68] Rethinking the Contemporary Art School: The Artist, the PhD and the Academy (2009), [69] Ecologies of Invention (2013), [70] Erasure: The Spectre of Cultural Memory (2015), [71] Who Runs the Artworld: Money, Power and Ethics (2017), [72 ...
Jon Rafman portrait, 2018. Jon Rafman (born 1981) is a Canadian artist, filmmaker, and essayist. His work centers around the emotional, social and existential impact of technology on contemporary life.
A Commonsense View of the Visual Arts (2014) [4] and Bucking the Artworld Tide: Reflections on Art, Pseudo Art, Art Education & Theory (2020). [5] She also co-authored What Art Is: The Esthetic Theory of Ayn Rand (2000) with Torres. [6] Kamhi has written on all the fine arts, but her particular focus is on the visual arts [7] and art education. [8]