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"And Can It Be That I Should Gain?" is a Christian hymn written by Charles Wesley in 1738 to celebrate his conversion, which he regarded as having taken place on 21 May of that year. [1] The hymn celebrates personal salvation through the death and resurrection of Jesus , and is one of the most popular Methodist hymns today.
The words to many more of Charles Wesley's hymns can be found on Wikisource, [23] and in his many publications. [24] [25] Some 150 of his hymns are in the Methodist hymn book Hymns and Psalms, including "Hark! the Herald Angels Sing", and The Church Hymn Book (In New York and Chicago, US, 1872) where "Jesus, Lover of My Soul" is published.
The hymn "When I Survey the Wondrous Cross" was written by Isaac Watts, and published in Hymns and Spiritual Songs in 1707. It is significant for being an innovative departure from the early English hymn style of only using paraphrased biblical texts, although the first couplet of the second verse paraphrases Galatians 6:14a and the second couplet of the fourth verse paraphrases Gal. 6:14b.
Pregnancy is a time when weight gain is absolutely essential for health. Pregnant people should generally gain around 25 to 35 pounds during their pregnancy, though it is highly individual based ...
"You Are My King (Amazing Love)" is a worship song written by Billy James Foote. It was originally released on contemporary Christian released by Phillips, Craig & Dean on their 2001 album Let My Words Be Few, and then by contemporary Christian group Newsboys from their 2003 album Adoration: The Worship Album, also appearing in later compilations He Reigns: The Worship Collection, The Greatest ...
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In the shape note tradition, most tunebooks have one or more tunes other than "Nettleton" that use Robinson's lyrics, in part, or in whole, often adding a camp meeting-style revival chorus between each verse. Because most singers have the lyrics memorized, it can be sung at remarkably fast tempos without stumbling over the words.
Taylor Swift's Midnights 3 A.M. Edition tracks may be among the album's most brutal lyrically, but none express regret quite as strongly as “Would've, Could've, Should've,” seemingly about ...