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They also used the dagomba style, borrowed from Kru sailors from Liberia, to create highlife's two-finger picking style. [4] Guitar band highlife also featured singing, drums and claves. E.K. Nyame and his Akan Trio helped to popularize guitar band highlife, [7] and would release over 400 records during Nyame's lifetime. [4] Dance band highlife ...
Palm-wine music [1] [2] (known as maringa in Sierra Leone) is a West African musical genre.It evolved among the Kru people of Liberia and Sierra Leone, who used Portuguese guitars brought by sailors, combining local melodies and rhythms with Trinidadian calypso to create a "light, easy, lilting style".
The Fanti Osibisaaba pioneered Africanised cross-fingering guitar techniques which developed to be Ghanaian Highlife, Maringa of Sierra Leone, the Juju music of western Nigeria and "dry" music of Central Africa. [1] Later in 1930, in rural Ghana,there was a fusion with traditional Akan "seprewa" or harp-lute.
The Rough Guide to Highlife is a world music compilation album originally released in 2003. Part of the World Music Network Rough Guides series, the release covers the Highlife musical genre of Ghana and surrounding countries, focusing on the 1960s and 70s. [ 1 ]
Igbo highlife is a contemporary musical genre that combines highlife and Igbo traditional music. The genre is primarily guitar-based music, with a rare characteristic blend of horns and vocal rhythms. [1] [2] Igbo highlife lyrics are sung mostly in Igbo with occasional infusion of Pidgin English. [3]
Afrobeat was influenced by a combination of different genres, such as highlife, fuji, and jùjú, [17] as well as Yoruba vocal traditions, rhythm, and instruments. [18] In the late 1950s, Kuti left Lagos to study abroad at the London School of Music, where he took lessons in piano [19] and percussion [20] and was exposed to jazz.
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