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"Theme from S.W.A.T." is an instrumental song written by Barry De Vorzon and performed by American funk group Rhythm Heritage, released on their debut album Disco-Fied. It reached number one on the Billboard Hot 100 singles chart in the United States on the chart date of February 28, 1976.
It is generally viewed [who?] as being another surprise project for Goldenthal, being that he usually gravitates towards more "intellectual" and "arthouse" type movies. . Although he has done a few "commercial" action movie type scores in the past, the decision to score S.W.A.T. was nevertheless interesting, [6] [7] [8] and Goldenthal has developed a reputation for choosing unlikely projects ...
Many songs in Indian films are based on ragas of Indian classical music. This song list includes those that are primarily set to the given raga, without major deviation from the musical scale. This song list includes those that are primarily set to the given raga, without major deviation from the musical scale.
Solid Gold – Theme song performed by Dionne Warwick (Seasons 1 and 4) and Marilyn McCoo (Seasons 2–3, 5–8) Some Mothers Do 'Ave Em – Ronnie Hazlehurst; The Sonny & Cher Comedy Hour ("The Beat Goes On") – Sonny Bono and Cher; Sonny with a Chance ("So Far, So Great") – Demi Lovato; The Sooty Show – Alan Braden
Maharshi is the soundtrack album composed by Devi Sri Prasad for the 2019 Tollywood film of the same name starring Mahesh Babu, Pooja Hegde, and Allari Naresh in lead roles, directed by Vamshi Paidipally. [1]
The song "Auld Lang Syne" comes from a Robert Burns poem. Burns was the national poet of Scotland and wrote the poem in 1788, but it wasn't published until 1799—three years after his death.
No, it’s not about the video game. “Fortnight,” the first single from Taylor Swift’s “The Tortured Poets Department,” is a duet with Post Malone.. Before we delve into the lyrics, let ...
[3] 123telugu.com gave a review stating "Overall the songs of Brindaavanam are fast, most of them soulful, enjoyable and a touch catering to the lovers of mass numbers. Most Telugu music directors have been going the Rahman way focusing on a fast beat while the song is slow. This album is an exception, where the songs are as fast as they can get.