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"A felicidade" ("Happiness") is a bossa nova song by Antônio Carlos Jobim, with lyrics by Vinícius de Moraes, composed in 1958 for the French film Orfeu Negro (Black Orpheus). [1] The theme of the song is the fragility of happiness. The lyrics begin: "Tristeza não tem fim. Felicidade sim" ("Sadness has no ending. Happiness does").
Among the poems in the collection are Yo soy un hombre sincero (I), Si ves un monte de espumas (V) and Cultivo una rosa blanca (XXXIX). Verses pruned from various poems were adapted into the folk song " Guantanamera ", which is the most popular patriotic song of Cuba and was popularized in the US in the 1960s during the American folk music ...
José "Pepe" Sánchez (Santiago de Cuba, 19 March 1856 – 3 January 1918), was a Cuban musician, singer and composer. He is known as the father of the trova style and the creator of the Cuban bolero .
[1] [2] Colloquially nicknamed Juanga [3] (pronounced) and El Divo de Juárez, Juan Gabriel was known for his flamboyant style, which broke norms and standards within the Latin music industry. [ 4 ] [ 5 ] Widely regarded as one of the best and most prolific Mexican composers and singers of all time, he is considered a pop icon .
Tristeza may refer to: Tristeza, Rio Grande do Sul; Cerro Tristeza, Mt Tristeza; Tristeza (virus), citrus virus; Tristeza (band), American instrumental band "Tristeza", 1966 instrumental by Lobo and Nitinho, song version covered by Sérgio Mendes on Look Around; Tristeza, album and title track by Baden Powell (guitarist) 1976
Song about the battle of Ciudad Juarez title Toma de Ciudad Juárez. In the Mestizo-Mexican cultural area, the three variants of corrido (romance, revolutionary and modern) are both alive and sung, along with popular sister narrative genres, such as the "valona" of Michoacán state, the "son arribeño" of the Sierra Gorda (Guanajuato, Hidalgo and Querétaro states) and others.
José Rómulo Sosa Ortiz (17 February 1948 – 28 September 2019), known professionally as José José, was a Mexican singer.Also known as El Príncipe de la Canción (The Prince of Song), [1] his performance and vocal style have influenced many Latin pop artists in a career that spanned more than four decades.