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G45 Central – website and blog which conducts discussions on various topics related to garage rock; Garage Hangover – garage bands of the 1960s by state, province and country; GS – covers the group sounds ("G.S.") garage/beat boom in Japan; It's Psychedelic Baby! Magazine – articles, interviews, and reviews of 60s psychedelic and garage ...
Garage rock (sometimes called garage punk or ' 60s punk) is a raw and energetic style of rock music that flourished in the mid-1960s, most notably in the United States and Canada, and has experienced a series of subsequent revivals.
My First Band – biographies of 1960s garage rock bands; Lee's Garage Sector - information about 60s garage bands: 45's, compilations, newspaper clippings, etc. It's Psychedelic Baby! Magazine - articles, interviews, and reviews of 60s psychedelic and garage acts; Limestone Lounge - Jeff Lemlich's website and blog which features profiles ...
The Persuaders (garage rock band) Phantom 309 (band) Pussy Galore (band) R. Paul Revere & the Raiders; S. The Shag; The Shags (Connecticut band) Sir Winston and the ...
The Encyclopedia of Heavy Metal. New York: Barnes & Noble Publishing. ISBN 0-7607-4218-9. Buckley, Peter (2003). The Rough Guide to Rock. London: Rough Guides. ISBN 1-84353-105-4. Crocker, Chris (1993). Metallica: The Frayed Ends of Metal. New York: St. Martin's Press. ISBN 0-312-08635-0. De Leon, David (1994). Leaders from the 1960s. Westport ...
In the late 1960s, a number of bands began pushing the limits of blues rock into a new genre which would be called heavy metal. [ 1 ] [ 2 ] In 1981, [ 3 ] three of the "Big Four" thrash metal bands emerged ( Metallica , [ 4 ] Slayer [ 5 ] and Anthrax ), [ 5 ] to be joined on the scene in 1983 by Megadeth .
Following last weekend's Guns N' Roses concert, The Repository's entertainment writer pondered whether relic rock bands should keep rocking or retire.
The Sonics are sometimes considered to be the first garage punk band. [9]Simon Reynolds traces garage punk to American garage rock bands in the 1960s. [10] He explains that mid 1960s garage punk was largely the domain of untrained teenagers who used sonic effects, such as fuzz tones, and relied heavily on riffs. [11]