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"Alabama" was written as a poem by Julia Tutwiler, a distinguished educator and humanitarian.It was first sung to an Austrian air, but in 1931, the music written by Edna Gockel Gussen, an organist, and choirmaster from Birmingham, Alabama, was adopted by the State Federation of Music Clubs and through their efforts, House Joint Resolution 74 was adopted March 9, 1931.
This is a list of songs written about the U.S. state of Alabama or notable locations in the state: "Ala freakin Bama [1]" by Trace Adkins "Alabam [2]" by Cowboy Copas "Alabama" (State Song) by Julia Tutwiler "Alabama [3]" by Neil Young "Alabama [4]" by John Coltrane "Alabama [5]" by Paper Rival "Alabama Alibi [6]" by Wendel Adkins/Lonesome Dogs
A State Senate bill (SB-458) was passed 32–1 in 2000 to move "Alabama" to the status of State Anthem, with "Stars Fell On Alabama", a song written in 1933 whose most popular release was by Jimmy Buffett in 1972 becoming the new State Song, and "My Home's in Alabama" (1980) by the Country group Alabama would become the State Ballad, but the ...
A State Senate bill (SR-458) was passed 32-1 in 2000 to make the song the official State Ballad, with "Stars Fell On Alabama", a 1934 song (whose most popular release was by Jimmy Buffett) becoming the new official State Song, and the current State Song, "Alabama", written in 1931 by Julia Tutwiler would be moved to State Anthem status, but the ...
New Mexico has two state songs in Spanish: "Así Es Nuevo México" is the official Spanish state song, while "New Mexico - Mi Lindo Nuevo Mexico" is the state bilingual song. Iowa 's " The Song of Iowa " uses the tune from the song " O Tannenbaum " as its melody. [ 4 ]
Attached to the message was a song titled "Alabama Nigger" by Johnny Rebel, a recording artist whose work explicitly supported white supremacy. The song played over a video of a Black child dancing.
The "Alabama Song"—also known as "Moon of Alabama", "Moon over Alabama", and "Whisky Bar"—is an English version of a song [clarification needed] written by Bertolt Brecht and translated from German by his close collaborator Elisabeth Hauptmann in 1925 and set to music by Kurt Weill for the 1927 play Little Mahagonny.
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