Search results
Results From The WOW.Com Content Network
In Eliot's view, this makes Kipling a 'ballad-writer', and that was already, he thought, more difficult in 1941 than in Kipling's time, as people no longer had the music hall to inspire them. [4] Eliot thought Kipling's ballads unusual, also, in that Kipling had been careful to make it possible to absorb each ballad's message on a single hearing.
Tommy" is an 1890 poem [1] by Rudyard Kipling, reprinted in his 1892 Barrack-Room Ballads. [2] The poem addresses the ordinary British soldier of Kipling's time in a sympathetic manner. [ 3 ] It is written from the point of view of such a soldier, and contrasts the treatment they receive from the general public during peace and during war.
The song was also to be followed by the 10-second track titled "Success," but it was ultimately dropped. The repeating chords in this song are E, B, and A. After two lines with those chords, the third line goes from a G# into a C#m (then two hits on a B chord to end the line.)
Thomas Armstrong (1848–1920), known as Tommy Armstrong, was an English poet, singer-songwriter and entertainer dubbed "The Pitman Poet" [3]: 106 and "The Bard of the Northern Coalfield". [4] Writing largely in the Geordie and Pitmatic dialects, he was renowned for his ability to chronicle the lives of the mining communities in and around ...
Permanent link; Page information; Cite this page; Get shortened URL; Download QR code; ... The Seven Seas is a book of poetry by Rudyard Kipling published 1896. [1]
The chorus of the song exhorted its audience to "pass the hat for your credit's sake, and pay– pay– pay!" The patriotic poem and song caused a sensation and were constantly performed throughout the war and beyond. Kipling was offered a knighthood shortly after publication of the poem but declined the honour. Vast numbers of copies of the ...
According to the sheet music published at Musicnotes.com by Sony/ATV Music Publishing, the song is set in the time signature of common time. It is composed in the key of G Major with Roger Daltrey's vocal range spanning from G 3 to A 4. [4] The song makes repeated use of suspended fourth chords that resolve to triads.
Kipling's daughter and heiress objected to this version, which turned Kipling's Burma girl into a Burma broad, the temple-bells into crazy bells, and the man, who east of Suez can raise a thirst, into a cat. [21] Sinatra sang the song in Australia in 1959 and relayed the story of the Kipling family's objections to the song. [23]