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The selection of the sample rate was based primarily on the need to reproduce the audible frequency range of 20–20,000 Hz (20 kHz). The Nyquist–Shannon sampling theorem states that a sampling rate of more than twice the maximum frequency of the signal to be recorded is needed, resulting in a required rate of greater than 40 kHz.
In June 2020, Elgato announced their expansion into microphones with the introduction of the Wave:1 and Wave:3. [28] Both are USB microphones and were developed in partnership with Lewitt Audio. In September 2022, they released their first XLR microphone, called Wave DX, once again in cooperation with Lewitt Audio.
Sample accuracy/synchronisation Not as much a specification as an ability. Since independent digital audio devices are each run by their own crystal oscillator, and no two crystals are exactly the same, sample rate will be slightly different. This will cause the devices to drift apart over time.
The DVD format uses the 48 kHz sampling rate, and its doublings. In digital audio, 48,000 Hz (also represented as 48 kHz or DVD Quality) is a common sampling rate. It has become the standard for professional audio and video. 48 kHz is evenly divisible by 24, a common frame rate for media, such as film, unlike 44.1 kHz. [i]
A typical choice of characteristic frequency is the sampling rate that is used to create the digital signal from a continuous one. The normalized quantity, f ′ = f f s , {\displaystyle f'={\tfrac {f}{f_{s}}},} has the unit cycle per sample regardless of whether the original signal is a function of time or distance.
High-resolution audio (high-definition audio or HD audio) is a term for audio files with greater than 44.1 kHz sample rate or higher than 16-bit audio bit depth. It commonly refers to 96 or 192 kHz sample rates. However, 44.1 kHz/24-bit, 48 kHz/24-bit and 88.2 kHz/24-bit recordings also exist that are labeled HD audio.
Sample rate Bit rate Bits per sample Latency CBR VBR Stereo Multichannel G.711: companding A-law or μ-law, PCM: 8 kHz 64 kbit/s 8 bit 125 μs (typical) Yes No No No G.711.0: Lossless compression of G.711: 8 kHz 0.2–65.6 kbit/s 8 bit 5–40 ms No Yes No No G.711.1: MDCT, A-law, μ-law: 8, 16 kHz 64, 80, 96 kbit/s 16 bit 11.875 ms Yes Yes No No
S/PDIF is used to transmit digital signals in a number of formats, the most common being the 48 kHz sample rate format (used in Digital Audio Tape) and the 44.1 kHz format, used in CD audio. In order to support both sample rates, as well as others that might be needed, the format has no defined bit rate .