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Slab serifs declined following the growing popularity of sans-serif faces, with which they always competed. [16] Notable collections of original wood type are held by the Hamilton in Wisconsin [ 17 ] [ 18 ] and the University of Texas at Austin , collected by Rob Roy Kelly, writer of a well-known book on American poster types. [ 19 ]
Slab serif fonts vary considerably: some such as Rockwell have a geometric design with minimal variation in stroke width—they are sometimes described as sans-serif fonts with added serifs. Others such as those of the "Clarendon" model have a structure more like most other serif fonts, though with larger and more obvious serifs.
Sans-serif lettering and typefaces were popular due to their clarity and legibility at distance in advertising and display use, when printed very large or small. Because sans-serif type was often used for headings and commercial printing, many early sans-serif designs did not feature lower-case letters.
Roboto Slab Designer: Christian Robertson Class: Slab serif : Rockwell Class: Slab serif : Rotis Designer: Otl Aicher Class: Other : Sabon Designer: Jan Tschichold Class: Old style : Serifa Designer: Adrian Frutiger Class: Slab serif : Source Serif Pro Designer: Frank Grießhammer Class: Transitional : Souvenir Designer: Morris Fuller Benton ...
The terminal (end) of an instroke or outstroke is often a serif or a stroke ending. A seriffed terminal may be described as a wedge, bulbous, teardrop, slab, etc., depending on the design of the type. Typefaces may be classified by their look, of which the weight and serif style – whether serif or sans-serif – are key features. [9]
With the rise of digital computing, variants of the Courier typeface were developed with features helpful in coding: larger punctuation marks, stronger distinctions between similar characters (such as the numeral 0 vs. the upper-case O and the numeral 1 vs. the lower-case L), sans-serif variants, and other features to provide increased legibility when viewed on screens.
The Generis type families include Generis Serif, the elegant serif style with a classical essence; Generis Slab, the stable slab serif with technical characteristics; Generis Sans, the clear sans serif with an objective appearance; Generis Simple, the simplified sans serif with a contemporary nature, similar to FF Dax.
At the same time, new designs of letter began to appear around the beginning of the nineteenth century, such as "fat face" typefaces (based on serif faces of the period, but much bolder), [19] [20] slab serifs (first seen from Vincent Figgins around 1817), [21] [22] sans-serifs (already used in custom lettering but effectively unused in ...