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Jocelyn Barbara Hepworth was born on 10 January 1903 in Wakefield, West Riding of Yorkshire, the eldest child of Gertrude and Herbert Hepworth. [2] Her father was a civil engineer for the West Riding County Council, who in 1921 advanced to the role of county surveyor. [2]
The Family of Man (BH 513) is a series of nine abstract sculptures (BH 513a to 513i) by the British artist Barbara Hepworth. Created as plaster models in 1970s, an edition of 4+2 (four castings of each individual figure, plus two complete sets) was cast by the Morris Singer foundry in 1972 and 1974. It was one of the last major works compeleted ...
Sphere with Inner Form at the Barbara Hepworth Museum in St Ives, Cornwall, with Two Forms (Divided Circle) behind. Sphere with Inner Form (BH 333) is a bronze sculpture by English artist Barbara Hepworth, with six castings made in 1963 and two more 1965. It is sometimes interpreted as a child in a pregnant woman's womb, or as a metaphor for ...
This is a list of women artists who were born in England or whose ... Barbara Hepworth (1903–1975 ... (1895–1981) portraitist (drawing and silhouettes ...
This is a partial list of 20th-century women artists, sorted alphabetically by decade of birth.These artists are known for creating artworks that are primarily visual in nature, in traditional media such as painting, sculpture, photography, printmaking, ceramics as well as in more recently developed genres, such as installation art, performance art, conceptual art, digital art and video art.
Turning Forms (BH 166) is a concrete sculpture by Barbara Hepworth, one of her first public commissions, made in 1950 for the Festival of Britain.It was one of two Hepworth commissions for the Festival: the other was a sculpture of abstract standing figures, Contrapuntal Forms, now in Harlow.
The absence of women from the canon of Western art has been a subject of inquiry and reconsideration since the early 1970s. Linda Nochlin's influential 1971 essay, "Why Have There Been No Great Women Artists?", examined the social and institutional barriers that blocked most women from entering artistic professions throughout history, prompted a new focus on women artists, their art and ...
In 1983, Ryan was in Five Black Women Artists, also curated by Himid, this time at the Africa Centre, London. The following year, she took part in Sculptors and Modellers at Tate. Ryan was in residence at Tate St Ives in 1998 and 2000–01, when she worked in the former studio of Barbara Hepworth and used marble gifted by the Hepworth Estate ...