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Advised by his ministers, Ravana sang hymns in praise of Shiva for a thousand years. Finally, Shiva not only forgave Ravana, but also granted him an invincible sword called the Chandrahasa. Since Ravana cried, he was given the name "Ravana" – one who cried. The verses that Ravana sang were collected and became known as the Shiva Tandava ...
The Shivapradosha stotra says when Shiva performs the Sandhya Tandava, the other gods like Brahma, Vishnu, Sarasvati, Lakshmi and Indra play musical instruments and sing Shiva's praises. [7] The Shiva Tandava Stotra is a stotra (Hindu hymn) that describes Shiva's power and beauty, believed to have been written by Ravana, a great devotee of ...
The term "Astakam" is derived from the Sanskrit word aṣṭan, meaning "eight". An astakam is made up of eight stanzas. In Rudrashtakam, each stanza is written in Jagati meter, and hence contains 48 syllables per stanza. Each line is written in the Bhujangaprayāt chhand, containing four groups of light-heavy-heavy syllables (।ऽऽ ...
Shivastotra (Sanskrit: शिवस्तोत्र), Shivastuti, or Shivastava is a Sanskrit hymn to Shiva. It may refer to: It may refer to: Shiva Tandava Stotra
Stotra (Sanskrit: स्तोत्र) is a Sanskrit word that means "ode, eulogy or a hymn of praise." [1] [2] It is a literary genre of Indian religious texts designed to be melodically sung, in contrast to a shastra which is composed to be recited. [1] A stotra can be a prayer, a description, or a conversation, but always with a poetic ...
The Shiva Stuti (Sanskrit: शिवस्तुतिः, romanized: Śivastutī), is a famous stuti (poem) composed by Narayana Panditacharya in praise of the deity Shiva written in the Prithvi metre. [1] [2] Stuti means eulogy, singing praise, panegyric and to praise the virtues, deeds, and nature of God. [3]
Jayadeva was an 11th-century Sanskrit poet and lyricist from present-day India. The works of Jayadeva have had a profound influence on Indian culture. They form the basis of the east Indian classical dance form, Odissi as well as traditional classical music of the state, Odissi music and have strongly influenced the Bharatanatyam classical dance as well as Carnatic music.
Chamakam (Sanskrit: चमकम्) is added by scriptural tradition to the Shri Rudram. [1] [2] The text is important in Shaivism, where Shiva is viewed as the Parabrahman. The hymn is an early example of enumerating the names of a deity. [3]