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Talking Heads were an American new wave band who, between 1975 and 1991, recorded 96 songs, 12 of which were not officially released until after their break-up. The group has been described as "one of the most acclaimed bands of the post-punk era" by AllMusic and among the most "adventurous" bands in rock history by the Rock and Roll Hall of Fame.
The Best of Talking Heads is a greatest hits album by American rock band Talking Heads, released on August 17, 2004 by Sire, Warner Bros. Records, and Rhino Entertainment. Track listing [ edit ]
"Life During Wartime" is widely regarded as one of the band's best songs. In 2023, American Songwriter ranked the song number nine on their list of the 10 greatest Talking Heads songs, [10] and in 2024, Paste ranked the song number four on their list of the 30 greatest Talking Heads songs. [11]
The first half includes energetic renditions of Talking Heads: 77 songs, ... When Byrne had a hard time writing lyrics for the third Talking Heads album a few years later, Eno came up with a new ...
The song was composed near the beginning of the band's career and prototype versions were performed onstage as early as December 1975. [12] When it was finally completed and released as a single in December 1977, "Psycho Killer" became instantly associated in popular culture with the contemporaneous Son of Sam serial killings (July 1976 – July 1977).
"Genius of Love" is a 1981 hit song by American new wave band Tom Tom Club from their 1981 eponymous debut studio album. The song reached number one on the Billboard Disco Top 80 chart, and was performed by Talking Heads (the group from which Tom Tom Club originated) in the 1984 concert film Stop Making Sense.
"Crosseyed and Painless" is widely regarded as one of the Talking Heads' best songs. In 2023, American Songwriter ranked the song number ten on their list of the 10 greatest Talking Heads songs, [ 4 ] and in 2024, Paste ranked the song number seven on their list of the 30 greatest Talking Heads songs.
The keyboardist, Jerry Harrison, said the lack of chord changes and the "trance"-like feeling made it hard to delineate the song into verses and choruses. [8] [9] However, Byrne had faith in the song and felt he could write lyrics to it. Eno developed the chorus melody by singing wordlessly, and the song "fell into place". [7]