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The Real Book is a musicians' fake book – a compilation of lead sheets for jazz standards.Fake books had been around at least since the late 1920s, but their organization was haphazard, and their content did not always keep pace with contemporary musical styles.
The Omnichord Real Book is a 2023 studio album by American musician Meshell Ndegeocello. It was met with acclaim from critics and became the first recipient of the newly created Grammy Award for Best Alternative Jazz Album , at the 66th Annual Grammy Awards .
The Penguin Guide to Jazz Recordings [ 4 ] AllMusic awarded the album 4 stars and the review by Rick Anderson states: "This program finds him showing off his considerable writing chops with the help of an all-star group...
Jazz-oriented artists who recorded it include Glenn Miller, Judy Garland, Louis Prima and Keely Smith, and the Freddie Slack Orchestra featuring Margaret Whiting on vocals. " There Will Never Be Another You " [ 9 ] [ 13 ] [ 16 ] [ 63 ] [ 64 ] is a song composed by Harry Warren with lyrics by Mack Gordon .
As a popular jazz standard, the song is included in the first volume of the Real Book as well as the New Real Book. [2] [3] It appears as a love theme both in the 1932 film The Mummy (when it is played during the ball sequence where Helen is telepathically called to the museum), and in the film Hotel Continental, also 1932.
Jazz standards are musical compositions that are widely known, performed and recorded by jazz artists as part of the genre's musical repertoire. This list includes tunes written in or after the 1950s that are considered standards by at least one major fake book publication or reference work.
The first winner is Meshell Ndegeocello for her 2023 album The Omnichord Real Book [2] "Best Jazz Instrumental Album" is awarded to Billy Childs for his 2023 album The Winds of Change [ 3 ] "Best Latin Jazz Album" is awarded to Miguel Zenón and Luis Perdomo for their 2023 album El Arte Del Bolero Vol. 2 [ 3 ]
In jazz, the term "faking" means to improvise accompaniment parts. The term "faking" in jazz does not have the same meaning as in faking in Classical music, where faking is seen as a controversial activity. In jazz, when a jazz quartet "fakes" accompaniment parts to a song with a singer, this is a synonym for improvising their backup