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A performance by Dewey Balfa, Gladius Thibodeaux and Vinus LeJeune at the 1964 Newport Folk Festival was one major reason behind a revived interest in traditional Cajun music in the mid-1960s. [10] In 1972, the Council for the Development of French in Louisiana started an annual festival that came to be known as Festivals Acadiens .
Many songs that became standards in the Cajun music repertoire were first recorded in this period of the 1920s and 1930s. The first commercial recording of Cajun music, "Lafayette (Allon au Laufette)," was made by Joe Falcon and his future wife Cléoma Breaux for Columbia Records on April 27, 1928. [7]
Menard was best known for the song "La Porte En Arrière" ("The Back Door"), which he both composed and regularly performed. Cajun folklorist Barry Jean Ancelet has called this the most played and recorded Cajun song ever, selling over 500,000 copies in 1962 alone. [11]
Pages in category "Cajun folk songs" The following 5 pages are in this category, out of 5 total. This list may not reflect recent changes. A. Allons à Lafayette; H.
Six Creole Folk-Songs (1921) [9] Bayou Ballads: Twelve Folk-Songs from Louisiana (1921); [10] texts and music collected by Mina Monroe, edited with the collaboration of Kurt Schindler. In the introduction, Monroe (who was born Marie Thereze Bernard in New Orleans, September 2, 1886), offers these insights:
As an established artist, he began to integrate his Cajun influences into his music and recorded "Alligator Man", which was a top 25 record and continued to be his theme song at the Opry. In 1963, he released another top 10 hit, "The D.J. Cried". [1] His final hits came in 1965 and 1966 with "Artificial Rose" and "Back Pocket Money".
Wayne Toups (born October 2, 1958, in Crowley, Louisiana) is one of the most commercially successful American Cajun singers. [2] He is also a songwriter. Wayne Toups has been granted numerous awards and honors throughout his career including 2010 Festivals Acadiens et Créoles dedicated in his name, Offbeat Magazine Album of the Year recipient.
While its repertoire includes hundreds of traditional Cajun, Creole and zydeco songs, BeauSoleil has also pushed past constraints of purely traditional instrumentation, rhythm, and lyrics of Louisiana folk music, incorporating elements of rock and roll, jazz, blues, calypso, and other genres in original compositions and reworkings of ...