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The 13th-century book Ajā'ib al-makhlūqāt wa gharā'ib al-mawjūdāt (The Wonders of Creation) by Zakariya al-Qazwini describes Islamic angelology, and is often illustrated with many images of angels. The angels are typically depicted with bright, vivid colors, giving them unusual liveliness and other-worldly translucence. [23]
The angel who rescues Shadrach, Meshach, and Abednego from the "fiery furnace" in the Book of Daniel Chapter 3 is usually regarded in Christian tradition as Michael; this is sometimes represented in Early Christian art and Eastern Orthodox icons, but rarely in later art of the Western church.
Angel (Madonna song) Angel of the Resurrection (Tiffany Studios stained glass window) Angel, Still Groping; The Angels' Kitchen; Angelus Novus; The Annunciation (Tanner) The Apotheosis of Homer (Ingres) Apparition of Christ to the Virgin; Apparition of the Virgin to St Bernard (Fra Bartolomeo) The Apparition of the Virgin to Saint Bernard (Murillo)
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Raphael had a gift for creating images that evoked divinity in a subtle way and was known for being skillful at creating space within his compositions as well as movement captured at a standstill. Techniques used by Raphael were adopted at the Academie royale de peinture et de sculpture by Charles Le Brun as the foundation of French classicism ...
The Fallen Angel (French: L'Ange déchu) is a painting by French artist Alexandre Cabanel. It was painted in 1847, when the artist was 24 years old, and depicts the Devil after his fall from Heaven. [1] The painting is at the Musée Fabre in Montpellier. [2]
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The word angel arrives in modern English from Old English engel (with a hard g) and the Old French angele. [11] Both of these derive from Late Latin angelus, which in turn was borrowed from Late Greek ἄγγελος angelos (literally "messenger"). [12] Τhe word's earliest form is Mycenaean a-ke-ro, attested in Linear B syllabic script. [13]