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Killer is the third-most-represented album in Alice Cooper's concert setlists behind Welcome to My Nightmare (1975) and Billion Dollar Babies (1973), accounting for 13.3 percent of the songs he has played live.
Dead Babies or dead baby may refer to: Literature, film, and music. Dead Babies, a 1975 novel by Martin Amis Dead Babies, a 2000 film based on the novel "Dead Babies ...
Billion Dollar Babies is the sixth studio album by American rock band Alice Cooper, released on February 27, 1973 by Warner Bros. Records. [1] [2] The album became the best selling Alice Cooper record at the time of its release, hitting number one on the album charts in the United States and the United Kingdom, and was certified platinum by the Recording Industry Association of America.
The lyrics contain very graphic imagery about a terminated foetus and feature a great deal of profanity for the time: the third and final verse begins with a couplet in which the word fuck is repeated five times in rapid succession. The song is mostly about a fan named Pauline, who was (as the song states) from Birmingham. [2]
"Hush-a-bye baby" in The Baby's Opera, A book of old Rhymes and The Music by the Earliest Masters, ca. 1877. The rhyme is generally sung to one of two tunes. The only one mentioned by the Opies in The Oxford Book of Nursery Rhymes (1951) is a variant of Henry Purcell's 1686 quickstep Lillibullero, [2] but others were once popular in North America.
The piece, initially called "Hit Me Baby," was written by Swedish music producer and songwriter Max Martin for TLC, the three-woman American R&B group. We finally know the meaning of 'Hit Me Baby ...
“And my friends all smell like weed or little babies / And this city reeks of driving myself crazy / Little did you know your home’s really only Breaking Down Taylor Swift's Heartbreak ...
"Billion Dollar Babies" is a popular 1973 single by the rock group Alice Cooper, the title track taken from the album Billion Dollar Babies. It was released in July 1973, a few months after the album had been released. The track is a duet between Alice Cooper and Scottish musician Donovan, who provides the falsetto and high harmony vocals. [2]