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Yard with Lunatics, c. 1794. Francisco José de Goya y Lucientes (/ ˈ ɡ ɔɪ ə /; Spanish: [f ɾ a n ˈ θ i s k o x o ˈ s e ð e ˈ ɣ o ʝ a i l u ˈ θ j e n t e s]; 30 March 1746 – 16 April 1828) was a Spanish romantic painter and printmaker.
Los Caprichos lack an organized and coherent structure, but they have important thematic nuclei. The most prevalent themes are: the superstition around witches, which predominates after Capricho No. 43 and that serves to express ideas about evil in a tragicomic way; the life and behavior of friars; erotic satire relating to prostitution and the role of the matchmaker; and to a lesser extent ...
The Quinta del Sordo, in a scale model built between 1828 and 1830, at the Museo de Historia de Madrid (Museum of History). [7]Goya acquired the Quinta del Sordo villa on the banks of the River Manzanares, near the Segovia bridge and with views over the plains of San Isidro, in February 1819.
The egregious figure of Diego Rodríguez de Silva y Velázquez, from whom Goya would have been able to study some works owned by the Royal House, is the strongest influence of Spanish art in his cartoons, especially in technique. Jovellanos admires this in his friend the painter.
Francisco José de Goya y Lucientes (1746–1828) was a Spanish artist, now viewed as one of the leaders of the artistic movement Romanticism. He produced around 700 paintings, 280 prints, and several thousand drawings.
The social and political turmoil of today resonates in a mammoth, extraordinary show of Francisco de Goya's celebrated etchings at the Norton Simon Museum in Pasadena.
Yard with Lunatics (Spanish: Corral de locos) is a small oil-on-tinplate painting completed by the Spanish artist Francisco Goya between 1793 and 1794. Goya said that the painting was informed by scenes of institutions he had witnessed as a youth in Zaragoza.
The Greasy Pole (1786-1787). The series of paintings for the alameda of the Dukes of Osuna comprises seven pictures painted by Francisco de Goya between 1786 and 1787. The country estate of the dukes and duchesses, who were the painter's mecenas and friends, was known as El Capricho, and was located on the outskirts of Madrid.