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The group consists mostly of fused and slumped broad plates and shallow dishes with upright or out-splayed rims or hemispherical bowls. Sub-groups of mosaic glass production are 'network' or 'lacework' hemispherical bowls and vessels with meandering or spiral decorative patterns that imitate onyx.
An epergne (/ ɪ ˈ p ɜːr n, eɪ-/ ih-PURN, ay-) is a type of table centerpiece that is usually made of silver but may be made of any metal or glass or porcelain. An epergne generally has a large central "bowl" or basket sitting on three to five feet. From this center "bowl" radiate branches supporting small baskets, dishes, or candleholders. [1]
Engraved glass bowl from Colonia Agrippina, 3rd century AD The Cologne cage cup, 12 cm high, 4th century. In comparison to glass making, there is evidence for glass working in many locations across the empire. Unlike the making process, the working of glass required significantly lower temperatures and substantially less fuel.
In the early 20th century, most glass production happened in factories. Even individual glassblowers making their own personalized designs would do their work in those large shared buildings. The idea of "art glass", small decorative works made of art, often with designs or objects inside, flourished.
Roman bowl with gold band glass. Apart from roundels with figurative images the fused sandwich technique was used to create the tesserae for gold in mosaics, and for beads and the like. Gold glass tesserae, at least by Byzantine times, had a very thin top layer of glass, which was probably poured onto the lower glass with the gold leaf glued to it.
Bowl of a wine glass in typical cut glass style Cut glass chandelier in Edinburgh. Cut glass or cut-glass is a technique and a style of decorating glass. For some time the style has often been produced by other techniques such as the use of moulding, but the original technique of cutting glass on an abrasive wheel is still used in luxury products.
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