Search results
Results From The WOW.Com Content Network
To categorize Lao music, it seems helpful to distinguish between the nonclassical folk traditions (which are presented through the ensembles and instruments used within), the classical music traditions and its basic ensembles, and vocal traditions. The most popular form of music in Laos is the indigenous mor lam.
The Khene (Lao: ແຄນ) is the instrument most identified with Laotian music.A national proverb says that "a person living under a stilted house, eating sticky rice, listening to any music related to Lam (Lao: ລຳ) or Morlam, and playing the Khene is likely to be Lao or associated with Lao people."
This still affects today's chanson as many French musicians still employ harp and keyboard. During the 18th century, vocal music in France was dominated by opera , but solo song underwent a renaissance in the 19th century, first with salon melodies and then by mid-century with highly sophisticated works influenced by the German Lieder , which ...
The xo ou (BGN/PCGN)/so u (RTGS), the low-pitched fiddles common in some styles of lam from southern Laos and most of northeastern Thailand.. As the lowland areas of Laos and Isan are essentially one shared cultural region of Lao people, few differences, especially at its most traditional level, are present to distinguish traditional forms on either side.
Main page; Contents; Current events; Random article; About Wikipedia; Contact us
Southeast Asian music encapsulates numerous musical traditions and styles in many countries of Southeast Asia. This subregion consists of eleven countries, namely, Brunei , Cambodia , East Timor , Indonesia , Laos , Malaysia , Myanmar , Philippines , Singapore , Thailand and Vietnam , which accommodate hundreds of ethnic groups.
Lao pop music started forming itself in the late 1980s, when Laos started benefiting from an economic growth that has lasted till nowadays. Before the reforms implemented by the government, the entertainment industry was completely limited due to the tight censorship and the widespread poverty, which prevented the music scene from flourishing.
According to Lao legends surrounding the first ruler of Lan Xang, it is said that in addition to a large army of Khmer soldiers, King Fa Ngum was accompanied by numerous female dancers from the court of Angkor. [2] Fone Nang Keo dance, also known as Lao royal dance. The Lao royal dance is called Fone Nang Keo (Lao ...