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The invisible hand is a metaphor inspired by the Scottish economist and moral philosopher Adam Smith that describes the incentives which free markets sometimes create for self-interested people to accidentally act in the public interest, even when this is not something they intended. Smith originally mentioned the term in two specific, but ...
The Invisible Hand, whose members are mostly scientists, have invented explosives of massive power, built a submarine, and created artificial diamonds, which they use to fund their activities. The Invisibles was published in 1903 and was considered "a curious example of subculture trying to move up."
The nature–culture divide is the notion of a dichotomy between humans and the environment. [1] It is a theoretical foundation of contemporary anthropology that considers whether nature and culture function separately from one another, or if they are in a continuous biotic relationship with each other.
Just before his death in 1946, Keynes told Henry Clay, a professor of social economics and advisor to the Bank of England, [67] of his hopes that Adam Smith's "invisible hand" could help Britain out of the economic hole it was in: "I find myself more and more relying for a solution of our problems on the invisible hand which I tried to eject ...
Landscape with Invisible Hand is a 2023 American science fiction film written and directed by Cory Finley, based on the 2017 novel of the same name by M. T. Anderson. The film stars Asante Blackk, Kylie Rogers, and Tiffany Haddish. Humans struggle in a future economy after aliens come to Earth and become the de facto ruling class.
Fictional depictions of the phenomena of "invisible women" due ageism and a societal focus on youth culture show women becoming socially "invisible" after a certain age (e.g., older than the late 40s or the 50s). In some novels and short stories, women at or beyond these age categories may get less invitations to social activities, dates, and ...
In Literature and Science, Huxley bemoans the disregard for science shown by many if not most literary contemporaries. He dismisses as "literary cowardice" [3] the artists' professed bewilderment in an era when "Science has become an affair of specialists. Incapable any longer of understanding what it is all about, the man of letters, we are ...
"I, Pencil" is written in the first person from the point of view of a pencil. The pencil details the complexity of its own creation, listing its components (cedar, lacquer, graphite, ferrule, factice, pumice, wax, glue) and the numerous people involved, down to the sweeper in the factory and the lighthouse keeper guiding the shipment into port.