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"Money Honey" is a song written by Jesse Stone, [3] which was released in September 1953 as the first single by Clyde McPhatter backed for the first time by the newly formed Drifters. McPhatter's voice, but not his name, had become well known when he was the lead singer for Billy Ward and the Dominoes .
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A common type of three-chord song is the simple twelve-bar blues used in blues and rock and roll. Typically, the three chords used are the chords on the tonic, subdominant, and dominant (scale degrees I, IV and V): in the key of C, these would be the C, F and G chords. Sometimes the V 7 chord is used instead of V, for greater tension.
Ashtead Group Public Limited Company is a British industrial equipment rental company based in London, England. It is listed on the London Stock Exchange as a constituent of the FTSE 100 Index , [ 4 ] but, as of December 2024, it is contemplating a US stock market listing.
The Essential Eddie Money is a 2003 compilation album of hits from American rock singer Eddie Money, released as part of Sony BMG's Essential series. The album includes 15 tracks from Eddie Money's eight studio albums and one greatest hits album.
"Let's Be Lovers Again" is a duet performed by American rock singer Eddie Money and singer-songwriter Valerie Carter. The song appeared on Money's album Playing for Keeps in 1980. It was released as a single and reached No. 65 on the Billboard Hot 100 .
The Loadsamoney character was created in reaction to the policies of the Thatcher government of the day. The song also spawned a sold-out live tour. [2] In May 1988, Labour Party leader Neil Kinnock used the term loadsamoney to criticise the policies of the Conservative government and journalists began to refer to the "loadsamoney mentality" and the "loadsamoney economy".
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...