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Es el camino por el que caminabais = "It is the path [that] you all were walking along"/"It is the path along which you all were walking" In some people's style of speaking, the definite article may be omitted after a , con and de in such usage, particularly when the antecedent is abstract or neuter:
Es más rápido por la autopista. = "It is faster by the motorway." "because of" (compare porque, "because") Me multaron por exceso de velocidad. = "They fined me for speeding." Mi jefe está enfermo y por eso tengo que trabajar = "My boss is sick, and therefore I have to work." "for the sake of", "for the benefit of"
Porque, Porqué, or Por Qu ... All pages with titles containing Por que This page was last edited on 6 ...
This article presents a set of paradigms—that is, conjugation tables—of Spanish verbs, including examples of regular verbs and some of the most common irregular verbs. ...
The Diccionario de la lengua española [a] (DLE; [b] English: Dictionary of the Spanish language) is the authoritative dictionary of the Spanish language. [1] It is produced, edited, and published by the Royal Spanish Academy, with the participation of the Association of Academies of the Spanish Language.
¿Por qué no te callas? ( Spanish: [poɾˈke no te ˈkaʎas] ; English: "Why don't you shut up?") is a phrase that was uttered by King Juan Carlos I of Spain to Venezuelan President Hugo Chávez , at the 2007 Ibero-American Summit in Santiago, Chile , when Chávez was repeatedly interrupting Spanish Prime Minister José Luis Rodríguez ...
Spanish (español) or Castilian (castellano) is a Romance language of the Indo-European language family that evolved from the Vulgar Latin spoken on the Iberian Peninsula of Europe. Today, it is a global language with about 500 million native speakers, mainly in the Americas and Spain , and about 600 million speakers including second language ...
"Porque te vas" is a romantic ballad [17] that incorporates elements of funk, disco and pop music, featuring a predominant use of the saxophone. [18] Critic Julián Molero of Lafonoteca described the track's instrumentation as "full of self-confidence with almost mocking interventions of the brasses and the crash of the drums releasing unexpected blows". [19]