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Chopin at 25, by Maria Wodzińska, 1835. Most of Chopin's compositions were for solo piano, although he did compose two piano concertos (his concertos No. 1 and No. 2 are two of the romantic piano concerto repertoire's most often-performed pieces) as well as some other music for ensembles.
Nicknames have been given to most of Chopin's Études over time, but Chopin himself never used nicknames for these pieces, nor did he name them. Op. 10, 12 Études: Étude in C major (1830) Étude in A minor (1830) Étude in E major (1832) Étude in C ♯ minor (1832) Étude in G ♭ major (1830) Étude in E ♭ minor (1830) Étude in C major ...
Frédéric François Chopin [n 1] (born Fryderyk Franciszek Chopin; [n 2] 1 March 1810 – 17 October 1849) was a Polish composer and virtuoso pianist of the Romantic period, who wrote primarily for solo piano. He has maintained worldwide renown as a leading composer of his era, one whose "poetic genius was based on a professional technique ...
A curator at a museum in New York City has discovered a previously unknown waltz written by Frédéric Chopin, the first time that a new piece of work by the Polish composer has been found in ...
Concertante works by Frédéric Chopin (1 C, 5 P) E. Études by Frédéric Chopin (27 P) M. Mazurkas by Frédéric Chopin (15 P) N. Nocturnes by Frédéric Chopin (12 ...
The sole MS is not in Chopin's hand. [1] Écossaise E-flat major KK. Ve/3 Lost. Two écossaises were in the hands of Oskar Kolberg. Écossaise B-flat major 1827 KK. Vb/9 Lost. Copy of first line made by Chopin's sister Ludwika is extant. It seems this piece is different from the two écossaises belonging to Oskar Kolberg. 3 Marches
Pianist Eric Guo did everything but travel through time to commune with Chopin. On March 1, the day celebrated as Frederic Chopin's birthday, the 21-year-old Canadian played one concert at the ...
Together with a number of rondos (Opp. 1, 5, 16 and 73), the Polonaise brillante and the Variations on "Der Schweizerbub", Chopin's compositions for piano and orchestra belong to a group of compositions in brilliant style, no longer confined by the tenets of the Classical period, which were written for the concert stage in the late 1820s to early 1830s.