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Tractatus de Purgatorio Sancti Patricii (Treatise on Saint Patrick's Purgatory) is a Latin text written about 1180–1184 by a monk who identified himself as H. of Saltrey. The author is traditionally known as Henry, though this was an insertion and invention of Matthew of Paris and has been contested in the influential work of historian ...
Purgatorio (Italian: [purɡaˈtɔːrjo]; Italian for "Purgatory") is the second part of Dante's Divine Comedy, following the Inferno and preceding the Paradiso. The poem was written in the early 14th century.
The change happened at about the same time as the composition of the book Tractatus de Purgatorio Sancti Patricii, an account by an English Cistercian of a penitent knight's visit to the land of Purgatory reached through a cave in the island known as Station Island or St Patrick's Purgatory in the lake of Lough Derg, County Donegal, Ireland. Le ...
The legend of St Patrick's Purgatory (Tractatus de Purgatorio Sancti Patricii) written in that century by Hugh of Saltry, also known as Henry of Sawtry, was "part of a huge, repetitive contemporary genre of literature of which the most familiar today is Dante's"; [45] another is the Visio Tnugdali.
While scholars have thus far not provided a history of the Anima Sola (or Ánimas del purgatorio in Spanish), [citation needed] the practice of praying for the souls in purgatory extends at least as far back as the Council of Trent in which the following was determined:
Eunoe [needs IPA] (Italian: Eunoè; Ancient Greek: Εὐνοη, romanized: Eúnoē) is a feature of Dante's Divine Comedy created by Dante as the fifth river of the dead (taking into consideration that Cocytus was described as a lake rather than a river).
Virgil and Dante meet Belacqua, Holkham manuscript at the Bodleian. Belacqua is a minor character in Dante Alighieri's Purgatorio, Canto IV.He is considered the epitome of indolence and laziness, but he is nonetheless saved from the punishment of Hell in Inferno and often viewed as a comic element in the poem for his wit.
Finally, she adds that the Earthly Paradise is the place the ancient poets dreamed about (Purgatorio XXVIII,135-144). [1] In Canto XXIX, Matelda walks south along the bank of the river after singing part of Psalm 32 (Psalm 31 in the Vulgate) to Dante. After the bank curves, the two head east, and Matelda, who refers to Dante as "brother ...