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Christ lag in Todes Banden (also spelled Todesbanden; [a] "Christ lay in death's bonds" [2] or "Christ lay in the snares of death"), [3] BWV 4, is a cantata for Easter by German composer Johann Sebastian Bach, one of his earliest church cantatas. It is agreed to be an early work partly for stylistic reasons and partly because there is evidence ...
Therefore Death did gain the day, And lead in triumph us away, Henceforth to dwell imprisoned. Hallelujah! Now Jesus Christ, the Son of God, For our defence hath risen. Our grievous guilt He hath removed, And Death hath bound in prison. All his might Death must forego. For now he's nought but idle show, His sting is lost for ever. Hallelujah!
" Jesu Leiden, Pein und Tod" (Suffering, pain and death of Jesus) is a German Lutheran hymn by Paul Stockmann. Written in 34 stanzas and published in 1633, it narrates the Passion of Jesus. It was sung to a melody by Melchior Vulpius. Johann Sebastian Bach used three of its stanzas as chorales in his St John Passion.
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"The Strife is O'er, the Battle Done" is a Christian hymn that is traditionally sung at Easter to celebrate the Resurrection of Jesus.It was originally a 17th-century Latin hymn, "Finita iam sunt proelia"; the popular English-language version is an 1861 translation by the English hymnwriter Francis Pott.
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He Loved Me To Death; He Must Die; He Never Once Stopped Believing In Me; He Never Sends Me Where He's Never Been; He Plants Me Like A Seed; He Restoreth My Soul (In the Valley) He Sees Me Through The Blood; He Waits For The Sound Of My Voice; He Was The Talk Of The Town; He Went Out Of His Way; He's Already On His Way; Headed For Judgment
The crucifixion of Jesus was the death of Jesus by being nailed to a cross. [note 1] It occurred in 1st-century Judaea, most likely in AD 30 or AD 33. It is described in the four canonical gospels, referred to in the New Testament epistles, and later attested to by other ancient sources.