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Literary movements are a way to divide literature into categories of similar philosophical, topical, or aesthetic features, as opposed to divisions by genre or period. Like other categorizations, literary movements provide language for comparing and discussing literary works. These terms are helpful for curricula or anthologies. [1]
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
Lexical aspect differs from grammatical aspect in that it is an inherent semantic property of a predicate, while grammatical aspect is a syntactic or morphological property. Although lexical aspect need not be marked morphologically, it has downstream grammatical effects, for instance that arrive can be modified by "in an hour" while believe ...
Anastrophe (from the Greek: ἀναστροφή, anastrophē, "a turning back or about") is a figure of speech in which the normal word order of the subject, the verb, and the object is changed. Anastrophe is a hyponym of the antimetabole , where anastrophe only transposes one word in a sentence.
Seven Types of Ambiguity is a work of literary criticism by William Empson which was first published in 1930. It was one of the most influential critical works of the 20th century [citation needed] and was a key foundation work in the formation of the New Criticism school. [1]
Classic (or literary fiction): works with artistic/literary merit that are typically character-driven rather than plot-driven, following a character's inner story. They often include political criticism, social commentary, and reflections on humanity. [1] These works are part of an accepted literary canon and widely taught in schools. Coming-of-age
Printable version; In other projects Wikidata item; Appearance. ... Pages in category "Grammatical aspects" The following 28 pages are in this category, out of 28 total.
A partial definition, then, of organic poetry might be that it is a method of apperception, i.e., of recognizing what we perceive, and is based on an intuition of an order, a form beyond forms, in which forms partake, and of which man’s creative works are analogies, resemblances, natural allegories. Such poetry is exploratory.