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Yamanni-ryū (山根流) (also Yamanni-Chinen-ryū and Yamane Ryu) is a form of Okinawan kobudō whose main weapon is the bo, a non-tapered, cylindrical staff.The smaller buki, such as sai, tunfa (or tonfa), nunchaku, and kama (weapon) are studied as secondary weapons.
Ryukyu Kobudo is the branch of Okinawan Kobudo developed and systemized by Taira Shinken under the Ryukyu Kobudo Hozon Shinko Kai association. Ryukyu Kobudo uses the following weapons: Bō (in various lengths), Sai , Eku , Kama , Tinbe-Rochin , Tekko , Nunchaku , Tonfa and Surujin .
The techniques of the two arts are closely related in some styles, evidenced by the empty-hand and weapon variants of certain kata: for example, Kankū-dai and Kankū-sai, and Gojūshiho and Gojūshiho-no-sai, although these are examples of Okinawan kobudō kata which have been developed from karate kata and are not traditional Okinawan kobudō ...
Ufuchiku kobudo (大筑古武術) sometimes referred to as ufuchiku kobujutsu or ufuchiku-den is a form of Okinawan kobudō.In this form, the main weapon is the sai, and other weapons such as bō, eku, tuifa (or tonfa), nunchaku, tekko, teko, techu, nuntesu, kama, gusan, sanjakubo, kusarigama, nawa, uchibo, surujin, kyushakubo, nuntesu bo, jingasa, renkuwan, sansetsukun, naginata, tessen, and ...
Chatan Yara is credited as the originator of the popular (Chatan) Yara Kusanku, Chatan Yara no Sai (iron truncheon), and Chatan Yara no Kon (6 foot staff) kata that are commonly found in Okinawan martial arts. His son, known as Yara Guwa ("Little Yara") is the developer of the well-known Yara Guwa no Tonfa kata. [3]
A pair of tonfa A pair of tonfa with a rounded body throughout.. The tonfa (Okinawan: トンファー tonfā, Chinese: 柺; pinyin: guǎi lit. old man's staff / "crutch", also spelled as tongfa or tuifa, also known as T-baton [1]) is a melee weapon with its origins in the armed component of Okinawan martial arts where it is known as the tunkua.
The failure by World Bank and Laotian officials to recognize the dam’s full effects on people above and below the dam means that the compensation offered to farmers and fisherfolk “didn’t come close to making up for their losses,” Shoemaker says.
This episode tells a classic love story of a poor boy Jun meeting an affluent lady named Christy and eventually, both fall in love with each other. Despite Jun's pure intentions and devotion, Christy's father believes that Jun will never be fit for his daughter. Christy chooses Jun and the humble life she was never accustomed to.