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Map of Paleolithic cave art sites in the Franco-Cantabrian region.. The Cave of Altamira and Paleolithic Cave Art of Northern Spain (Cueva de Altamira y arte rupestre paleolítico del Norte de España) is a grouping of 18 caves of northern Spain, which together represent the apogee of Upper Paleolithic cave art in Europe between 35,000 and 11,000 years ago (Aurignacian, Gravettian, Solutrean ...
A modern interpretation of a bison from the Altamira cave ceiling, one of the cave's most famous paintings. Some of the polychrome paintings at Altamira Cave are well known in Spanish popular culture. The logo used by the autonomous government of Cantabria to promote tourism to the region is based on one of the bisons in this cave.
Bison painting (replica) from the Cave of Altamira, dated to the Magdalenian. The animals depicted are prey sought by the Paleolithic hunters, such as reindeer, [20] horses, [21] bisons, [22] mammoth, [23] the woolly rhinoceros, [24] and birds, [clarification needed] [25] as well as apex predators such as lions [26] panthers or leopards, [27 ...
Cave of Altamira and Paleolithic Cave Art of Northern Spain. The Cave of Altamira is located near Santillana del Mar.This cave, called the "Sistine Chapel of Quaternary", is relatively small (270 m (890 ft)) and contains the rock paintings of sixteen bison, several depictions of deer, the largest of which is 2.25 m (7.4 ft) tall and of horses.
The cave's most famous painting is a frieze of five bison, although renditions of many other animals, including wolves, are featured. Kapova cave in southern Ural Mountains (Russia) – presently 173 monochromatic ochre rock paintings and charcoal drawings or their traces are documented, presenting Pleistocene animals and abstract geometric ...
He did not become aware of the paintings until 1879, when his eight-year-old daughter María noticed that the ceiling was covered with images of bison. [1] Sautuola, having seen similar images engraved on Paleolithic objects displayed at the World Exposition in Paris the year before, rightly assumed that the paintings might also date from the ...
A bison in Altamira. When Marcelino Sanz de Sautuola's daughter María discovered the paintings in Altamira and Sautuola, together with professor Vilanova, published their findings in 1880, Cartailhac was one of the leaders of the scientists who, suddenly facing a revolutionary change in the view of the prehistoric man, ridiculed these paintings at the 1880 Prehistorical Congress in Lisbon.