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The triumph of Dionysus, depicted on a 2nd-century Roman sarcophagus. Dionysus rides in a chariot drawn by panthers; his procession includes elephants and other exotic animals. The Dionysiaca / ˌ d aɪ. ə. n ɪ ˈ z aɪ. ə. k ə / (Ancient Greek: Διονυσιακά, Dionysiaká) is an ancient Greek epic poem and the principal work of Nonnus.
The Apollonian and the Dionysian are philosophical and literary concepts represented by a duality between the figures of Apollo and Dionysus from Greek mythology.Its popularization is widely attributed to the work The Birth of Tragedy by Friedrich Nietzsche, though the terms had already been in use prior to this, [1] such as in the writings of poet Friedrich Hölderlin, historian Johann ...
As Dionysus Eleutherius ("the liberator"), his wine, music, and ecstatic dance free his followers from self-conscious fear and care, and subvert the oppressive restraints of the powerful. [6] His thyrsus , a fennel-stem sceptre, sometimes wound with ivy and dripping with honey, is both a beneficent wand and a weapon used to destroy those who ...
Dionysus has been coined the "masked god," "wine god," and "god of theater" due to his androgynous appearance [5] and ability to hide his true self under facades and enthusiasm. Many Greek stories believe Dionysus to be the son of Zeus, [1] separated and placed in the care of Nysa nymphs in an attempt to protect him from Hera's anger towards ...
The Derveni krater, height: 90.5 cm (35 ½ in.), 4th century BC. The Dionysian Mysteries of mainland Greece and the Roman Empire are thought to have evolved from a more primitive initiatory cult of unknown origin (perhaps Thracian or Phrygian) which had spread throughout the Mediterranean region by the start of the Classical Greek period.
The cult of Dionysus was strongly associated with satyrs, centaurs, and sileni, and its characteristic symbols were the bull, the serpent, tigers/leopards, ivy, and wine. The Dionysia and Lenaia festivals in Athens were dedicated to Dionysus , as well as the phallic processions .
The roof helped against the rays of the sun, but it was powerless against water and general decay. From year to year the condition became worse: single mosaic stones dissolved from the ground, plants grew in the cracks, it was only a matter of time before this mosaic, which had remained largely intact for nearly two millennia, would be destroyed.
Alexander visits Diogenes in Corinth - Diogenes asks him to stand out of his sun (engraving) The meeting of Diogenes of Sinope and Alexander the Great is one of the most discussed anecdotes from philosophical history. Many versions of it exist. The most popular relate it as evidence of Diogenes' disregard for authority, wealth, and decorum. [1]