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It was performed and live recorded at the Gasteig in Munich by Martina Koppelstetter and the composer on 11 April 2010, in a composer's portrait concert, along with chamber music, early songs and the premiere of the setting of the poem Im Gebirg (On the Mountains) by Hans Krieger, scored for mezzo-soprano, alto flute and piano. [2]
El mar la mar for two sopranos and five instruments (1950); reduction for two sopranos and piano (1953); arrangement for soprano, mezzo-soprano and seven instruments (1969). Opus no. Zoo for reciter and wind quintet (1951; revised 1971) Due liriche di Garcia Lorca for bass and orchestra (1951) Deus meus for voice and three instruments (1951)
El pan de Ronda que sabe a verdad ("The bread of Ronda has a taste of truth") – voice and piano, by G. Martínez Sierra (1915) Psyché – for mezzo-soprano, flute, harp, violin, viola and cello (1924) Soneto a Córdoba ("Sonnet to Cordoba") – for soprano voice and harp (or piano), text by Luis de Góngora (1927)
"Oh, soft was the song" song: mezzo-soprano and piano or orchestra — Gilbert Parker: Novello 59.5: 1910 "Was it some Golden Star?" song: mezzo-soprano and piano or orchestra — Gilbert Parker: Novello 59.6: 1910 "Twilight" song: mezzo-soprano and piano or orchestra — Gilbert Parker: Novello 60: 1909–10: Two songs: song: 1. "The Torch" 2 ...
"Meditation on the song The arrow and the song." For piano, violin or tpt., vlc., and organ (1877–85) Le rendez-vous, valses. For piano and orchestra (1877–85) Passacaille, serenade by Jacques Bosch. For guitar and violin ad libitum (1877–85) Fantaisie sur l'hymne national russe. For pedal piano and orchestra (1886) Suite concertante.
mezzo-soprano, cello, and piano; text by Elizabeth Barrett Browning, Hilde Doolittle, Rainer Maria Rilke, and Percy Bysshe Shelley. Mary Cassatt (1994) mezzo-soprano, trombone, orchestra and slides; text from the historical narrative and letters of Mary Cassatt. Margaret Songs (1996) soprano and piano; text by Willa Cather and Libby Larsen