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Rossa debuted as a singer when she was ten years old with her first album, Gadis Ingusan, in 1988. [22] In 1990, she released her second album titled Untuk Sahabatku under the supervision of Dian Records/Pro-Sound. [23]
"Terbaik Bagimu" (The Best for You) is a single by Malaysian artist Siti Nurhaliza.The third single from her seventeenth solo album, Fragmen, the song was composed by Ade Govinda, an Indonesian songwriter and lyricist.
Gamelan degung is a form of Sundanese musical ensemble that uses a subset of modified gamelan instruments with a particular mode of degung scale. The instruments are manufactured under local conditions in towns in West Java such as Bogor and Bandung. [1]
"Allah Lanjutkan Usia Sultan" (pronounced [allah landʒutkan usia sultan]; "God Lengthen the Sultan's Age") is the state anthem of Perak, Malaysia.. The tune was originally that of "La Rosalie", a popular song in the Seychelles during the 19th century, originally written by French composer Pierre-Jean de Béranger.
Lagu may refer to: Balungan, a.k.a. Lagu, Indonesian gamelan musical ensemble's term for melody; Laghu language, a.k.a. Lagu language, a near-extinct language once spoken in parts of the Solomon Islands; Lagu (rune) (ᛚ), a rune of the Anglo-Saxon fuþorc; Lennox Lagu; The Indonesian and Malay name of song
It was adopted as an official state anthem in 1911 at the behest of Tuanku Muhammad Shah (1865–1933), the seventh Yang di-Pertuan Besar, who ruled Negeri Sembilan from 1888 to 1933. [1] The anthem was subject to the fine-tuning efforts of the second son of the current Yang DiPertuan Besar, Tunku Zain Al-'Abidin ibni Tuanku Muhriz. [2]
The terms sounding range, written range, designated range, duration range and dynamic range have specific meanings.. The sounding range [3] refers to the pitches produced by an instrument, while the written range [3] refers to the compass (span) of notes written in the sheet music, where the part is sometimes transposed for convenience.
A Carnatic concert. The shruti or śruti is the smallest interval of pitch that the human ear can detect and a singer or musical instrument can produce. [1] [2] The concept is found in ancient and medieval Sanskrit texts such as the Natya Shastra, the Dattilam, the Brihaddeshi, and the Sangita Ratnakara.