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Harana itself uses mainly Hispanic protocols in music, although its origins lie in the old pre-colonial Philippine musical styles which is still practiced around the country (See also Kapanirong style of the Maguindanao people of Mindanao). The main instrument used for harana is the guitar, which is played by the courter.
Portraits included self-portraits, Filipino jewelry, and native furniture. Landscape paintings depicted ordinary Filipinos participating in daily life. The paintings, often ornately signed, were made on canvas, wood, and a variety of metals. [228] Watercolours were painted in the Tipos del País [231] or Letras y figuras style. [232]
Antipolo by Fernando Amorsolo, depicting Filipinos celebrating the annual pilgrimage to Antipolo, with the pre-War cathedral depicted in the background.. After graduating from the University of the Philippines, Amorsolo worked as a draftsman for the Bureau of Public Works as a chief artist at the Pacific Commercial Company and as a part-time instructor at the University of the Philippines. [7]
The curriculum of the Department of Education in the Philippines [4] discusses the value of music and art in learning as a "means to celebrate Filipino cultural identity and diversity.” Philippine Art and Music Education is embedded in the curriculum. Students in their 7th grade have folk music integrated into their education.
The kundiman emerged as an art song at the end of the 19th century and by the early 20th century, its musical structure was formalised by Filipino composers such as Francisco Santiago and Nicanor Abelardo; they sought poetry for their lyrics, blending verse and music in equal parts.
He was one of the first Filipino modernists along with Galo Ocampo and Victorio C. Edades who broke away from Fernando Amorsolo's romanticism of Philippine scenes. According to restorer Helmuth Josef Zotter, Francisco's art "is a prime example of linear painting where lines and contours appear like cutouts." [2]
Don Fabián de la Rosa y Cueto (May 5, 1869 – December 14, 1937) was a Filipino painter. He was the uncle and mentor to the Philippines' national artist in painting, Fernando Amorsolo, and to his brother Pablo. [1]
Federico Aguilar Alcuaz (Filipino: Federico Alcuaz Aguilar, June 6, 1932 – February 2, 2011) [1] was a Filipino painter who exhibited extensively Internationally and whose work earned him recognition both in the Philippines and abroad. Alcuaz was conferred the title of National Artist for Visual Arts, Painting, Sculpture and Mixed Media in 2009.