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Persson chose to commission the music from Rosenfeld, meaning the artist still retains ownership of all the music he made for Minecraft. [1] Both the soundtrack albums also contain music not intended for the game, "extending the album into a more cohesive piece that can be played on its own." [1]
[1] During the development of Minecraft, Persson met Rosenfeld through indie game development forum TIGSource, and the two became friends. [4] When Persson showed the game to Rosenfeld, he requested that he become the game's sound designer. Rosenfeld accepted, and began work on the game's sound effects and music. [5] [1]
"Josephine" is a song by English rock band Terrorvision, which was released in 1998 as the lead single from their fourth studio album Shaving Peaches. The song was written by Terrorvision and produced by Edwyn Collins. "Josephine" reached No. 23 in the UK Singles Chart and remained in the Top 100 for two weeks. [1]
It should only contain pages that are Polo G songs or lists of Polo G songs, as well as subcategories containing those things (themselves set categories).
In 1991, Jill Cunniff and Gabby Glaser (the niece of graphic designer Milton Glaser) created the first Luscious Jackson demo with tip money from their restaurant jobs.The band's name was derived from a malapropism of the name of former American basketball player Lucious Jackson, after the band members heard an announcer on ESPN's SportsCenter mispronounce Jackson's first name as "Luscious" and ...
Everything at Once is the eighth studio album by the Scottish band Travis, the album was released on 29 April 2016. [4] The band also made a movie for the album, which was included as a DVD in the deluxe version of the album.
A sample from "Malambo No.1" was used in Robin Thicke's "Everything I Can't Have". Sumac is also mentioned in the lyrics of the 1980s song " Joe le taxi " by Vanessa Paradis , and her album Mambo! is the record that Belinda Carlisle pulls out of its jacket in the video for "Mad About You". [ 41 ] "
"Josephine" was a 1936 song with music by Wayne King and Burke Bivens and lyrics by Gus Kahn. [ 1 ] It was first recorded by Wayne King and his Orchestra and issued on Victor 25518-A, which became one of the band's best selling recordings.