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Winold Reiss (September 16, 1886 – August 23, 1953) was a German-born American artist and graphic designer. He was born in Karlsruhe, Germany. In 1913 he immigrated to the United States, where he was able to follow his interest in Native Americans. In 1920 he went West for the first time, working for a lengthy period on the Blackfeet ...
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He studied with the Art Students League, 1916–17, and was a pupil of Homer Boss and Winold Reiss. Portrait of Sem-Medeeks of Gitinanga, British Columbia from the Wellcome Collection. Motivated by a desire to document the disappearing aboriginal culture, he spent many years visiting and living with Indian tribes in the Western United States.
Karasz and a group of other European-born artists and designers, including Winold Reiss, founded the Society of Modern Art in 1914. The organization published Modern Art Collector, which published much of Karasz’s early designs. Her first work presented in the journal was a theatrical poster with checkerboard motifs, a common Austrian-German ...
The Winold Reiss industrial murals are a set of 16 tile mosaic murals displaying manufacturing in Cincinnati, Ohio. The works were created by Winold Reiss for Cincinnati Union Terminal from 1931 to 1932, and made up 11,908 of the 18,150 square feet of art in the terminal. [ 1 ]
His early works such as Portrait of a Man (1929) show Alston's detailed and realistic style depicted through pastels and charcoals, inspired by the style of Winold Reiss. In his Girl in a Red Dress (1934) and The Blue Shirt (1935), Alston used modern and innovative techniques for his portraits of young individuals in Harlem.
The original Winold Reiss study for the mural survives, created in 1931-32 and measuring 5 feet 2 inches (1.57 m) by 19 feet 9 inches (6.02 m). The study is a work in progress, showing the process and decisions taken to complete the work; it was not completed as his other studies were. [ 65 ]