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Shearing the Rams is an 1890 painting by Australian artist Tom Roberts.It depicts sheep shearers plying their trade in a timber shearing shed.Distinctly Australian in character, the painting is a celebration of pastoral life and work, especially "strong, masculine labour", and recognises the role that the wool industry played in the development of the country.
This is a nice bicycle shed, but too bad it's been proposed to be repainted without being established that it needs to be repainted. Imagine you have spent fifteen minutes discussing what color to paint the bikeshed, with three other people. One person says "Wait, does the bikeshed even need painting?" Another person says "No, we didn't ...
The same shed is depicted in another of Roberts' works, Shearing Shed, Newstead (1894). [1] The painting was originally titled Shearing at Newstead but was renamed The Golden Fleece after the Golden Fleece of Greek mythology to honour the wool industry and the nobility of the shearers. This was in keeping with Roberts' conscious idealisation of ...
Partially Buried Woodshed is a work of land art created by American artist Robert Smithson in January 1970 at Kent State University in Kent, Ohio. [1] The work consisted of an existing woodshed and earth added by the artist in order to illustrate the concept of entropy.
The French artist Marcel Duchamp paved the way for the conceptualists, providing them with examples of prototypically conceptual works — the readymades, for instance.The most famous of Duchamp's readymades was Fountain (1917), a standard urinal-basin signed by the artist with the pseudonym "R.Mutt", and submitted for inclusion in the annual, un-juried exhibition of the Society of Independent ...
In this sitting area designed by Heather Chadduck Hillegas, sky blue paint paired with colorful curtains brings the dreamy space together. RELATED: These Are The 100 Best Paint Colors of All Time
In 1965 he made his first visit to the United States, hoping to impress some New York art galleries, and was offered a show at the Kennedy Galleries. The Wunderlich family, who owned the gallery, encouraged him to further develop his ideas for painting historic maritime scenes. [ 1 ]
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