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A shu wife‘s son was called the shu son (庶子). Shu sons had to regard the Di wife of their father as their mother and respect her. Their birth mother would be called yiniang (姨娘, lit. "aunt"). Based on social standards, the di wife's major responsibilities were managing all shu wives and taking care of them like her younger sisters.
In 1983, Liang Hong Zhi (梁弘誌) set Su's poem to new music as the song "Danyuan ren changjiu" (但願人長久; translated "Wishing We Last Forever" or "Always Faithful" [1]). This new setting was recorded by Teresa Teng in her album dandan youqing ( 淡淡幽情 ), which also contained songs based on other poems from the Tang and Song ...
Pattern of the Golden Sun Bird discovered at Jinsha site, a symbol of the Ba–Shu culture and believed to be a totem of the ancient Shu people. It has been designated a symbol for the Chinese culture as a whole by the Chinese government. Ba-Shu culture refers to a regional culture centered around Sichuan province and Chongqing city, also encompassing parts of Yunnan, Guizhou, southwestern ...
Shu (書) refers to Chinese calligraphy, which dates to the origins of recorded Chinese history, in essence ever since written characters have existed. Chinese calligraphy is said to be an expression of a practitioner's poetic nature, as well as a significant test of manual dexterity .
The shu-konghou (豎箜篌) or vertical konghou first appeared in the Eastern Han dynasty (25–220 AD). [2] It can be divided into big and small varieties. The playing of the shu-konghou was most prevalent in the Sui and Tang dynasties. [2] It was generally played in rites and ceremonies and gradually increased in popularity among the ordinary ...
The term Chinese orchestra is most commonly used to refer to the modern Chinese orchestra that is found in China and various overseas Chinese communities. This modern Chinese orchestra first developed out of Jiangnan sizhu ensemble in the 1920s into a form that is based on the structure and principles of a Western symphony orchestra but using Chinese instruments.
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In the early 20th century, Chinese and Western music cultures slowly merged, driven by the external forces of art, to create a new style of Chinese music that was based on both cultures. Then, it was not until March 2, 1930, when the " League of Left-Wing Writers " was founded and its corresponding music criticism and music social activities ...