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Synecdoche is a rhetorical trope and a kind of metonymy—a figure of speech using a term to denote one thing to refer to a related thing. [9] [10]Synecdoche (and thus metonymy) is distinct from metaphor, [11] although in the past, it was considered a sub-species of metaphor, intending metaphor as a type of conceptual substitution (as Quintilian does in Institutio oratoria Book VIII).
Synecdoche – a rhetorical device where one part of an object is used to represent the whole—e.g., "There are fifty head of cattle." or "Show a leg !" (naval command to get out of bed = show yourself)
Synecdoche: referring to a part by its whole or vice versa. Synonymia: use of two or more synonyms in the same clause or sentence. Tautology: redundancy due to superfluous qualification; saying the same thing twice. Tmesis: insertions of content within a compound word. Tricolon diminuens: combination of three elements, each decreasing in size.
Metonymy and related figures of speech are common in everyday speech and writing. Synecdoche and metalepsis are considered specific types of metonymy. Polysemy, the capacity for a word or phrase to have multiple meanings, sometimes results from relations of metonymy.
A synecdoche is a class of metonymy, often by means of either mentioning a part for the whole or conversely the whole for one of its parts. Examples from common English expressions include "suits" (for "businessmen"), "boots" (for "soldiers", a pars pro toto), and "America" (for "the United States of America", "totum pro parte").
Synecdoche – A literary device, related to metonymy and metaphor, which creates a play on words by referring to something with a related concept. For example, referring to the whole with the name of a part, such as "hired hands" for workers; a part with the name of the whole, such as "the law" for police officers; the general with the ...
Al Martinich claims that the philosopher Thomas Hobbes was the first to discuss a propensity among philosophers mistakenly to combine words taken from different and incompatible categories.
According to Freud's work (1900), condensation and displacement (from German Verdichtung and Verschiebung) are two closely linked concepts. [10] In the unconscious, through the dynamic movement of cathexis (charge of libido, mental or emotional energy), it is possible that an idea (image, memory, or thought) passes on its whole charge to another idea; Freud called this process "displacement."