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Smooth Velvet, Raw Silk (also known as Velluto nero and Black Emmanuelle, White Emmanuelle) is a 1976 sexploitation film directed by Brunello Rondi.Despite the alternate title, and the presence of Laura Gemser, it has no relation to other Emanuelle films and doesn't feature any characters with that name.
Emanuelle is in Kenya to arrange an interview with the Italian American gangster George Lagnetti ("Giorgio Rivetti" in the English dub). She succeeds in meeting him with help from her friend Susan Towers and Prince Aurozanni but is intrigued by other events, leading her to meet the white slave trader Francis Harley, and setting her up for a dangerous undercover operation at the San Diego ...
By 1976 came two Black Emanuelle follow-ups, one in title (Black Emanuelle 2 by Albertini) and one in plot (Emanuelle in Bangkok, a.k.a. Black Emanuelle 2, by Joe D'Amato), also triggering four quasi-sequels from 1977 to 1978 by D'Amato (under the title Emanuelle) and two Emanuelle women in prison films by Bruno Mattei in 1982 and 1983.
The film tells the story of a woman looking for a lost pleasure and was conceived as an exploration of pleasure, rather than a film aimed at satisfying a male fantasy like the previous ...
Director Just Jaeckin adapted it in 1974 with Dutch actress Kristel in the title role, leading to two direct sequels and several dozen spinoffs; Francis Giacobetti, who helmed “Emmanuelle 2 ...
The Spanish-Italian "Black Emanuelle" films, starring Laura Gemser, created a following on their own right. [citation needed] Black Emanuelle (1975) Black Emanuelle 2 (1976) Emanuelle in Bangkok (1976) Black Emmanuelle, White Emmanuelle (1976) Emanuelle in America (1977) Sister Emanuelle (1977) Emanuelle Around the World (1977)
Emmanuelle, however, does not have Kei’s, cuing an agonizingly protracted mating dance around the plush hallways and hospitality suites of the rarefied Rosefield Palace Hotel, where they happen ...
Emmanuelle is a 2024 English-language French erotic drama film directed, co-written and produced by Audrey Diwan. Based on the 1967 novel by Emmanuelle Arsan , it is the eighth theatrical film in the series of the same name , and the fifteenth film overall, and serves as a reboot .