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Puerto Rican music promoter Izzy Sanabria claims he was the first to use the word salsa to denote a music genre: In 1973, I hosted the television show Salsa which was the first reference to this particular music as salsa. I was using [the term] salsa, but the music wasn't defined by that. The music was still defined as Latin music.
Pacheco also produced music for feature films. The first film he worked on was the 1972 documentary Our Latin Thing; this was also the first film about the influence of salsa on Latino culture in New York City. His second film Salsa released in 1974. In the 1980s, he composed the scores for Mondo New York and Something Wild.
Eddie Santiago (born Eduardo Santiago Rodríguez, [note 1] August 18, 1955) [1] is a salsa singer from Puerto Rico.He is one of the great figures of this musical genre, with popular songs such as “Me Haces Falta Tú" on Soy el Mismo, “Lluvia" on Sigo Atrevido, “Mía" on Invasión de la Privacidad y “Tú me quemas" on Atrevido y diferente.
The term "salsa" was coined by Johnny Pacheco in the 1960s in New York, as an umbrella term for Cuban dance music being played in the city at the time. [2] Salsa as a dance emerged soon after, being a combination of mambo (which was popular in New York in the 1950s) as well as Latin dances such as Son and Rumba as well as American dances such as swing, hustle, and tap.
The salsa romántica movement helped salsa continued to be relevant in spite of the rise of merengue music as well as moving away from lyrics dealing with social class. [25] Salsa romántica was characterized by its influence by the aforementioned romantic ballads and more pop-leaning sounds. [26]
The surprise streaming star of the album arrived in “Baile Inolvidable,” a salsa track which went #1 on the U.S. Apple Music chart.
Juan Valdez is a composer and orchestral director of salsa music in the Dominican Republic. Valdez has composed music for Asdrubar and helped jumpstart Michel "El Buenón"'s career, and has prepared arrangements of songs for numerous other vocalists. Valdez, born in 1962, played with merengue bands in his early years, including Sergio Vargas ...
When the rhythm and music are 'in clave,' a great natural 'swing' is produced, regardless of the tempo. All musicians who write and/or interpret Cuban-based music must be 'clave conscious,' not just the percussionists. [19] Salsa is a potent expression of clave, and clave became a rhythmic symbol of the musical movement, as its popularity spread.