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Large-scale cartoons for the tapestry weavers were created from photographically enlarged panels of Burne-Jones's watercolour. In a letter of 7 September 1886, Morris had suggested that the tapestry's colouration should be "both harmonious and powerful, so that it would not be overpowered" by the chapel's brilliantly coloured stained glass. [7]
It happened in 1566 three times, on 27 and 28 of July, and on August 7, against the sunrise and sunset; we saw strange shapes in the sky above Basel. During the year 1566, on the 27th of July, after the sun had shone warm on the clear, bright skies, and then around 9 pm, it suddenly took a different shape and color.
The six original tapestries illustrate the story of the Grail quest as told in Sir Thomas Malory's 1485 book Le Morte d'Arthur.Like other Morris & Co. tapestries, the Holy Grail sequence was a group effort, with overall composition and figures designed by Edward Burne-Jones, heraldry by William Morris, and foreground florals and backgrounds by John Henry Dearle.
Behind the sky, the pilgrim finds a marvelous realm of circling clouds, fires and suns. One of the elements of the cosmic machinery resembles traditional pictorial representations of the " wheel in the middle of a wheel " described in the visions of the Hebrew prophet Ezekiel .
The Divine Comedy ' s Empyrean, illustrated by Gustave Doré. In ancient European cosmologies inspired by Aristotle, the Empyrean Heaven, Empyreal or simply the Empyrean, was the place in the highest heaven, which was supposed to be occupied by the element of fire (or aether in Aristotle's natural philosophy).
The Apocalypse Tapestry is a large medieval set of tapestries commissioned by Louis I, the Duke of Anjou, and woven in Paris between 1377 and 1382.It depicts the story of the Apocalypse from the Book of Revelation by Saint John the Divine in colourful images, spread over six tapestries that originally totalled 90 scenes, and were about six metres high, and 140 metres long in total.
The Story of Troy is a set of seven embroidered tapestries illustrating stories about the Trojan War made by Ming Chinese artisans of Macau in the 1620s. [1] [2] All of the tapestries are connected by a common border design containing Portuguese patterns a pair of phoenixes at the top, a lion and griffin at the bottom, and a triton and serpent on each side.
The Nebra sky disc, c. 1800–1600 BC. The Nebra sky disc (German: Himmelsscheibe von Nebra, pronounced [ˈhɪml̩sˌʃaɪbə fɔn ˈneːbra]) is a bronze disc of around 30 cm (12 in) diameter and a weight of 2.2 kg (4.9 lb), having a blue-green patina and inlaid with gold symbols.