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He has also published chamber music and over the years has contributed regularly to various periodicals, such as the Saxophone Journal and the International Association of Jazz Educators Journal. He is the author of several milestone books: Self Portrait of a Jazz Artist , Jazz Connections: Miles Davis and David Liebman , A Chromatic Approach ...
While deconstructing the discrimination practices and policies faced by disabled artists, programs and studios work to support and evolve the community of experienced disabled artists. [21] Some places are professional studios where disabled people can work, create, and put on a show. Communities as such are Art Enables, [22] Disability/Arts ...
From 1969 the AACM organised a music education program for inner-city youths. [5] In the 1960s and 1970s AACM members were among the most important and innovative in all of jazz, though the AACM's contemporary influence has waned some in recent years.
Assistive technology (AT) is a term for assistive, adaptive, and rehabilitative devices for people with disabilities and the elderly. Disabled people often have difficulty performing activities of daily living (ADLs) independently, or even with assistance. ADLs are self-care activities that include toileting, mobility (ambulation), eating ...
The institute has held its International Jazz Competition annually since 1987 and offered a full scholarship graduate-level college program since 1995. It organizes free jazz education programs in public schools throughout the United States and the world “to encourage imaginative thinking, creativity, a positive self-image and respect for one ...
Joseph Lulloff (born 1960 [1]) is an American saxophonist and educator.. Lulloff began playing saxophone at age 7, after switching from clarinet, which a doctor had suggested he play to help with his asthma. [2]
One of the most memorable, if infamous and incongruous, moments in Joel Schumacher’s 1987 vampire classic The Lost Boys is that crazy concert scene, when a hulking, shirtless, and most ...
As consultant to the Mmabana Cultural Center he developed the foundation for the Center's music program and curriculum, subsequently heading the music program from 1987 to 1990. From 1991 to 1992 he was a visiting member of the New School Jazz program. From 1994 to 1998 McLean was a Lecturer in Jazz Studies at the University of Cape Town.