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The Golden Pavilion (金閣, Kinkaku) is a three-story building on the grounds of the Rokuon-ji temple complex. [15] The top two stories of the pavilion are covered with pure gold leaf . [ 15 ] The pavilion functions as a shariden (舎利殿), housing relics of the Buddha (Buddha's Ashes).
It is three stories tall (38 feet), constructed with steel frame and plaster finish, and with a phoenix finial at its roof peak. Mirror Lake Garden, surrounding Kinkaku-ji, also reflects Muromachi period (1335–1573) garden design. [3] Both the Sanju Pagoda and Kinkaku-ji serve as columbariums. As of 2006 they were in poor repair, due to the ...
He continued with this medium in projects for the Museum of Wood Culture, Kami, Hyōgo Prefecture (1994) and the Komyo-ji Shrine in Saijo (2001). [ 77 ] [ 78 ] The UK practice, Foreign Office Architects won an international competition in 1994 to design the Yokohama International Port Terminal .
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After his death, his retirement villa (near Kyoto) became Rokuon-ji, which today is famous for its three-storied, gold-leaf covered reliquary known as "Kinkaku". So famous is this single structure, in fact, that the entire temple itself is often identified as the Kinkaku-ji, the Temple of the Golden Pavilion. A statue of Yoshimitsu is found ...
Buddhist temple of Kinkaku-ji, declared World Heritage Site by UNESCO. Butsuden or Butsu-dō (仏殿・仏堂) – lit. "Hall of Buddha". A Zen temple's main hall. Seems to have two stories, but has in fact only one and measures either 3×3 or 5×5 bays. Any building enshrining the statue of Buddha or of a bodhisattva and dedicated to prayer. [25]
The Temple of the Golden Pavilion (金閣寺, Kinkaku-ji) is a novel by the Japanese author Yukio Mishima. It was published in 1956 and translated into English by Ivan Morris in 1959. The novel is loosely based on the burning of the Reliquary (or Golden Pavilion) of Kinkaku-ji in Kyoto by a young Buddhist acolyte in 1950. The pavilion, dating ...
Inside the Phoenix Hall, a single image of Amida (c. 1053) is installed on a high platform. The Amida sculpture is made of Japanese cypress and is covered with gold leaf. It was executed by Jōchō , who established a new canon of proportions and a new technique, yosegi , in which multiple pieces of wood are carved out like shells and joined ...