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Arabic Melody for cello and piano, Op. 4 No. 5; from Five Romances (songs) (1882–85) Elegy in D flat major for cello and piano (Une Pensee a F. Liszt), Op. 17 (1888) Two Pieces for cello and piano, Op. 20A (1888) (Melodie; Spanish Serenade) Chant du Ménestrel for cello and piano, Op. 71 (1900) Reinhold Glière. Ballade
Paganiana: variations for piano four-hands (1968) [1] Emmanuel Chabrier (1841–1894) Pas redoublé (Cortège burlesque) (1881) Prélude et marche française (1885) Souvenirs de Munich, Quadrille sur les thèmes favoris de Tristan et Isolde de Richard Wagner (1887) Muzio Clementi (1752–1832) 3 Duets, Op. 3, No. 1-3 (1779) Duet, Op. 6, No. 1 ...
Made the world premiere recording of the two-piano arrangement of Grieg's Concerto in A minor, written by Grieg and Károly Thern. Also the first recording of Grieg's piano version of the "Homage March" from Sigurd Jorsalfar. [12] They have recorded the piano duet version of Chopin's 2nd Piano Concerto in F minor (arr. Chopin and Carl Mikuli ...
Schumann turned to chamber music on the smaller scale; all the chamber music of this period was for piano and one or two other instruments. Schumann composed three duets, the first he ever completed, in 1849: the Five Pieces, the Adagio and Allegro for Horn and Piano and the Fantasiestücke for Clarinet, Op. 73.
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song: voice and piano, from Salut d’Amour, Op. 12, adapted by Max Laistner [96] — Percy E. Pinkerton: Schott 1900 "The Pipes of Pan" song: voice and piano — Adrian Ross: Boosey 1901 "Always and Everywhere" song: voice and piano, from the Polish of Krasiński — F. H. Fortey [98] Boosey 1901 "Come, Gentle Night!" song: voice and piano ...